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1“... with members of the current gospel theatres to understand their managements. Also base on the interviews...”
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4“... to brand management strategies. Also it adopted “public welfare” low price strategy to promote products...”
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5“... products related to musicals often become bestsellers even before the presentation, making almost every...”
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6“... or artistic worker of the theatre production team and how the theories of human resource planning are employed...”
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7“... and status of the second-run theatres industry and management of individual companies. By means of field...”
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8“... are on the way to large-scaled theatre groups and enterprise management. However, it is difficult for Taiwan’s...”
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9“... with operational management of theatre companies, this study utilized the 8 consecutive steps laid out in the book...”
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10“... to discover the development course, the organization management and the production of the troupe. Finally...”
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11“... of “production manager” is an irreplaceable position in our future theatre. This production 2018” Too Many...”
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12“... in the script; culture production; theatrical environment and the trend of avant-garde in Little Theatre. Tian...”
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13“... smoothly. This technical report aims to explore the different phases in a production’s stage supervision...”
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14“... of the artists. U Theatre’s management strategy has led to the commercialization of the idea of “Dao and art...”
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15“... are important sources of theater production, and yet youth theatre has been underdeveloped. This study intends...”
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16“... police station transfer avant-garde theatre of managed by arts independent groups and has been a theatre...”
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17“... Theatre, in the development of Performing Arts Augment Products is quite mature. However, for most...”
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18by Yu-Tang Huang, 黃毓棠“... have been established. The establishment of a theatre is not difficult, but how to run and manage...”
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19“... and agricultural products and made Xinyi Township Farmers'' Association the last one of twenty mismanaged...”
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20“... and humanities. This study also proposes some suggestions for theatre managers, educators and researchers...”
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