Showing 1 - 7 results of 7 for search 'University of Birmingham', query time: 0.69s Refine Results
  1. 1
    ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
    by Arnold Witte
    Published 2021-06-01
    “...Department of Art History, University of Birmingham...”
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    Article
  2. 2
    ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018
    by Arnold Witte
    Published 2019-12-01
    “...Department of Art History, University of Birmingham...”
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    Article
  3. 3
    Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins
    by Arnold Witte, Andrew Hopkins
    Published 2016-06-01
    “...Department of Art History, University of Birmingham...”
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    Article
  4. 4
    Wölfflin’s Grundbegriffe as a psychological palimpsest?
    by Arnold Witte
    Published 2015-12-01
    “...Department of Art History, University of Birmingham...”
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    Article
  5. 5
    Occupied Europe and German art historiography: methodology and morals
    by Arnold Witte
    Published 2017-06-01
    “...Department of Art History, University of Birmingham...”
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    Article
  6. 6
    ‘”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism
    by Arnold Witte
    Published 2016-06-01
    “...Department of Art History, University of Birmingham...”
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    Article
  7. 7
    Formalism in the first half of the twentieth century: ‘pure science’ or a case of effective rhetoric? Mitchell B. Frank and Daniel Adler (eds), German Art History and Scientific Thought – Beyond Formalism, Ashgate, 2012
    by Arnold Witte
    Published 2012-12-01
    “...Department of Art History, University of Birmingham...”
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    Article
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