| Summary: | Lady Wallace had a remarkable life but she has remained a tantalizingly enigmatic figure, not least because we have nothing written in her own hand. She was born in Paris to unmarried parents, a factotum and a linen maid, in 1819. She lived in England from 1872 until her death in 1897, but had a reputation here for speaking only French. Yet she bequeathed to the British nation an art collection described by Lord Rosebery in 1900 as ‘the greatest gift, I believe, that has ever been made by an individual to our country’: the Wallace Collection. Assessing her motivation in making the bequest is not straightforward. While it has been generally assumed that she was simply fulfilling her late husband Sir Richard’s wishes, information circulating at the time and published by the Wallace Collection for many years afterwards stated that she made the bequest at the suggestion of the Wallaces’ private secretary and her residuary legatee, Sir John Murray Scott. Another dichotomy concerns her personality and taste: was she intellectually unremarkable and lacking in discernment, as Baron Ferdinand de Rothschild judged her, or ‘a very refined, shy and excellent lady’, as described by Lord Esher? This article will assess Lady Wallace and her achievements within the context of her time, before considering her afterlife at the Wallace Collection and the role of her bequest in influencing later women patrons of the arts.
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