„Mittendrin statt nur dabei“. Der Zuschauer im postdramatischen Theater am Beispiel von Rimini Protokoll
In this article, the role of the spectator in post-dramatic theater is examined using the example of the German-Swiss directing collective Rimini Protokoll, which has been producing innovative theater pieces worldwide for over 20 years. Based on some theoretical considerations on post-dramatic theat...
| Published in: | Colloquia Germanica Stetinensia |
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| Main Author: | |
| Format: | Article |
| Language: | German |
| Published: |
Szczecin University Press
2025-10-01
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| Subjects: | |
| Online Access: | https://wnus.usz.edu.pl/cgs/de/issue/1550/article/21418/ |
| Summary: | In this article, the role of the spectator in post-dramatic theater is examined using the example of the German-Swiss directing collective Rimini Protokoll, which has been producing innovative theater pieces worldwide for over 20 years. Based on some theoretical considerations on post-dramatic theater, which emerged in the 1970s and is characterized by a multitude of forms and possibilities, a proposal for the classification of spectator roles at Rimini Protokoll is presented on the basis of a rough division existing in the literature. The different audience roles discussed are also illustrated with concrete examples of productions by the directing collective. |
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| ISSN: | 2450-8543 |