From Abbild to Bild? Depiction and Resemblance in Husserl’s Phenomenology

• Published in: Aisthesis
• Main Author: Claudio Rozzoni
• Format: Article
• Language: English
• Published: Firenze University Press 2017-07-01
• Subjects: Image; Depiction; Expression; Portrait; Resemblance
• Online Access: http://www.fupress.net/index.php/aisthesis/article/view/20912

<p>In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image revolving around the notion of depiction [Abbildung]. More specifically, the phenomenological description allows a seeing-in to emerge as an essential characteristic of the image consciousness, in which an image object assumes the role of a representant [Repräsentant] in order to allow us to see the image subject in the image itself (thanks to “moments of resemblance” shared by image object and image subject). Nevertheless, our paper – focusing particularly on what might be called the depictive art par excellence, that is the portrait – aims to show that it would be erroneous to read the Husserlian notion of image exclusively on the basis of this earlier course: things seem to change significantly when Husserl develops a different notion of phantasy, and artistic images, in particular, are not to be thought of as resembling something else, but rather as expressive images producing their own model.</p>