Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton

From the gory cover art of VHS tapes to the iconic imagery of chainsaws, horror films have long been misconstrued as mere vehicles for shock and sensation. However, Labors of Fear: The Modern Horror Film Goes to Work challenges the common misconception that these items are used because they’re horro...

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發表在:Alphaville: Journal of Film and Screen Media
主要作者: Blake Lynch
格式: Article
語言:英语
出版: University College Cork 2024-07-01
主題:
在線閱讀:https://www.alphavillejournal.com/Issue27/HTML/ReviewLynch.html
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author Blake Lynch
author_facet Blake Lynch
author_sort Blake Lynch
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container_title Alphaville: Journal of Film and Screen Media
description From the gory cover art of VHS tapes to the iconic imagery of chainsaws, horror films have long been misconstrued as mere vehicles for shock and sensation. However, Labors of Fear: The Modern Horror Film Goes to Work challenges the common misconception that these items are used because they’re horror staples and instead offers a socioeconomic analysis of the genre that explores representations of work and leisure with scholarly rigour and depth. Briefel and Middleton build upon the foundational work of Robin Wood to present a fresh framework for understanding horror cinema, delving into overlooked aspects of the genre and challenging conventional interpretations concerning how horror films depict work.
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spelling doaj-art-4e486e0fc01c484e9c7dfd2fb21481522025-08-19T23:19:59ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782024-07-0127298303https://doi.org/10.33178/alpha.27.30Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton Blake Lynchhttps://orcid.org/0009-0009-9370-6590From the gory cover art of VHS tapes to the iconic imagery of chainsaws, horror films have long been misconstrued as mere vehicles for shock and sensation. However, Labors of Fear: The Modern Horror Film Goes to Work challenges the common misconception that these items are used because they’re horror staples and instead offers a socioeconomic analysis of the genre that explores representations of work and leisure with scholarly rigour and depth. Briefel and Middleton build upon the foundational work of Robin Wood to present a fresh framework for understanding horror cinema, delving into overlooked aspects of the genre and challenging conventional interpretations concerning how horror films depict work.https://www.alphavillejournal.com/Issue27/HTML/ReviewLynch.htmlhorror filmssocioeconomic analysiswork and leisuregender studiesracial dynamic
spellingShingle Blake Lynch
Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
horror films
socioeconomic analysis
work and leisure
gender studies
racial dynamic
title Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
title_full Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
title_fullStr Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
title_full_unstemmed Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
title_short Labors of Fear: The Modern Horror Film Goes to Work, edited by Aviva Briefel and Jason Middleton
title_sort labors of fear the modern horror film goes to work edited by aviva briefel and jason middleton
topic horror films
socioeconomic analysis
work and leisure
gender studies
racial dynamic
url https://www.alphavillejournal.com/Issue27/HTML/ReviewLynch.html
work_keys_str_mv AT blakelynch laborsoffearthemodernhorrorfilmgoestoworkeditedbyavivabriefelandjasonmiddleton