An Analysis of Aesthetics in Makoto Shinkai's Animated Films

• Published in: SHS Web of Conferences
• Main Authors: Chen Yirui, Cheng Wenkai
• Format: Article
• Language: English
• Published: EDP Sciences 2024-01-01
• Online Access: https://www.shs-conferences.org/articles/shsconf/pdf/2024/13/shsconf_apmm2024_04007.pdf

As a traditional Japanese literary concept, the concept of “mono no aware” gradually forms an aesthetic consciousness deeply rooted in Japanese culture through the interpretation and enrichment of local literature, poetry, film and television. This aesthetic consciousness is a series of melancholic and melancholic emotions that the aesthetic subject experiences towards the aesthetic object, as well as a pessimistic feeling towards the fleeting moments of life and the impermanence of time. It resonates with emotions, and this emotional expression is introverted and implicit. Even though there are waves in the heart, the surface is only a frown, revealing a faint emotion. This article is based on the analysis of Makoto Shinkai's animated films, and explores the common aesthetic ideas and realistic meaning. the conclusion is as follows: Makoto Shinkai combines traditional aesthetic ideas with modern computer technology to form a more delicate and resonant new unconscious aesthetic. This aesthetic is presented layer by layer through a series of life oriented themed animated films such as “regret”, “love”, and “distance”. It can better touch people's inner softness, comprehend the true essence of life, and awaken people's hope and motivation for life.