Theatre criticism on Web 2.0. Publishing, sharing, authoring critique in the light of human-computer interaction. The critical dialogue of the social media.
The migration, also due to the crisis of the printed press, of almost all critical debate to the free pages of the Web is an obvious reality. The thesis of these investigations, which derive from a broader doctoral research project that moves between mediology, theatre studies, critical theories an...
| Published in: | Sinais de Cena |
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| Main Author: | |
| Format: | Article |
| Language: | English |
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Centro de Estudos de Teatro
2018-03-01
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| Subjects: | |
| Online Access: | https://revistas.rcaap.pt/sdc/article/view/17489 |