M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea

The article describes Maxim Gorky’s role in the creation of “The Poet’s Library” series. The writer was the organizer and inspirational figure behind the project, but his attitude towards it changed from 1931 to 1936. Various creative, scientific, organizational and political factors influenced the...

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Published in:Литературный факт
Main Author: Anastasia G. Plotnikova
Format: Article
Language:English
Published: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2023-03-01
Subjects:
Online Access:http://litfact.ru/images/2023-27/08_Plotnikova.pdf
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author Anastasia G. Plotnikova
author_facet Anastasia G. Plotnikova
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description The article describes Maxim Gorky’s role in the creation of “The Poet’s Library” series. The writer was the organizer and inspirational figure behind the project, but his attitude towards it changed from 1931 to 1936. Various creative, scientific, organizational and political factors influenced the development of the series. Gorky’s personal relationships with the following Leningrad writers — Konstantin Fedin, Ilya Gruzdev, Vissarion Sayanov, Mikhail Slonimsky and Yury Tynyanov — significantly influenced the destiny of the series. In a similar way, Gorky’s relationship with Lev Kamenev, the director of the Academia publishing house, also influenced the series development. Gorky expounded the initial concept of the series in his article “On the Poet’s Library,” which differed significantly from the books of the series published by the Publishing House of Leningrad Writers. In 1934, this created a conflict with the editorial office, which put into question the existence of the series. The innovative approach to the preparation of literary texts and historical and cultural commentary allowed “The Poet’s Library” series to be published throughout the period of over 90 years. The books of the series became the exemplar of mass-scientific publication, and its editorial office became the school of Soviet textual criticism. The article is based on the huge corpus of research on this topic from the 20th and 21st centuries. Furthermore, the article uses materials from the correspondence between Gorky and staff of the publishing house, the Maxim Gorky Archives in Moscow, the Russian State Archive of Literature and Art (RGALI) and the Central State Archive of Literature and Art of St. Petersburg (TsGALI).
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spelling doaj-art-6f10eec587e94de5b626709bc48ac03e2025-08-19T21:41:58ZengRussian Academy of Sciences. A.M. Gorky Institute of World LiteratureЛитературный факт2541-82972542-24212023-03-011 (27)19521610.22455/2541-8297-2023-27-195-216M. Gorky and “The Poet's Library” Book Series: Transformation of the IdeaAnastasia G. Plotnikova0https://orcid.org/0000-0003-1866-0608A.M. Gorky Institute of World Literature of the Russian Academy of SciencesThe article describes Maxim Gorky’s role in the creation of “The Poet’s Library” series. The writer was the organizer and inspirational figure behind the project, but his attitude towards it changed from 1931 to 1936. Various creative, scientific, organizational and political factors influenced the development of the series. Gorky’s personal relationships with the following Leningrad writers — Konstantin Fedin, Ilya Gruzdev, Vissarion Sayanov, Mikhail Slonimsky and Yury Tynyanov — significantly influenced the destiny of the series. In a similar way, Gorky’s relationship with Lev Kamenev, the director of the Academia publishing house, also influenced the series development. Gorky expounded the initial concept of the series in his article “On the Poet’s Library,” which differed significantly from the books of the series published by the Publishing House of Leningrad Writers. In 1934, this created a conflict with the editorial office, which put into question the existence of the series. The innovative approach to the preparation of literary texts and historical and cultural commentary allowed “The Poet’s Library” series to be published throughout the period of over 90 years. The books of the series became the exemplar of mass-scientific publication, and its editorial office became the school of Soviet textual criticism. The article is based on the huge corpus of research on this topic from the 20th and 21st centuries. Furthermore, the article uses materials from the correspondence between Gorky and staff of the publishing house, the Maxim Gorky Archives in Moscow, the Russian State Archive of Literature and Art (RGALI) and the Central State Archive of Literature and Art of St. Petersburg (TsGALI).http://litfact.ru/images/2023-27/08_Plotnikova.pdfm. gorky“the poet’s library” seriespublishing house of leningrad writers“soviet writer” publishing houserussian poetrybook seriestextology
spellingShingle Anastasia G. Plotnikova
M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
m. gorky
“the poet’s library” series
publishing house of leningrad writers
“soviet writer” publishing house
russian poetry
book series
textology
title M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
title_full M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
title_fullStr M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
title_full_unstemmed M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
title_short M. Gorky and “The Poet's Library” Book Series: Transformation of the Idea
title_sort m gorky and the poet s library book series transformation of the idea
topic m. gorky
“the poet’s library” series
publishing house of leningrad writers
“soviet writer” publishing house
russian poetry
book series
textology
url http://litfact.ru/images/2023-27/08_Plotnikova.pdf
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