The Inverse Perspective in Byzantine Painting
The inverse perspective is a method of representing spatial depth used only in Byzantine painting. It is different from Renaissance perspective (a method of realistic, conventional, subjective, subject to a single point of view). The inverse perspective, with two-dimensional axonometric representa...
| 出版年: | Anastasis: Research in Medieval Culture and Art |
|---|---|
| 第一著者: | |
| フォーマット: | 論文 |
| 言語: | ドイツ語 |
| 出版事項: |
“George Enescu” National University of Arts of Iași
2014-11-01
|
| 主題: | |
| オンライン･アクセス: | http://anastasis-review.ro/wp-content/uploads/2016/09/5-Maria-Urma-BDT.pdf |
| 要約: | The inverse perspective is a method of representing spatial depth used only in Byzantine painting. It is different from Renaissance perspective (a method of realistic, conventional, subjective, subject to a single point of view).
The inverse perspective, with two-dimensional axonometric representations, is more complex, offering multiple possibilities of symbolization.
Various theories have considered either optical-geometric aspect or artistic-cultural aspect as the main factors that generated it. But they have not led to a unified conclusion.
This study highlights the common elements of these theories, bringing together the two issues and providing a philosophical-religious interpretation. |
|---|---|
| ISSN: | 2392-862X 2392-9472 |