The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s...
| 出版年: | Финно-угорский мир |
|---|---|
| 第一著者: | |
| フォーマット: | 論文 |
| 言語: | 英語 |
| 出版事項: |
National Research Mordova State University; MRSU
2020-03-01
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| 主題: | |
| オンライン・アクセス: | http://csfu.mrsu.ru/en/archives/3036 |
| _version_ | 1856976983720722432 |
|---|---|
| author | Aleksandra A. Pesetskaya |
| author_facet | Aleksandra A. Pesetskaya |
| author_sort | Aleksandra A. Pesetskaya |
| collection | DOAJ |
| container_title | Финно-угорский мир |
| description | Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker.
Materials and Methods. The research is based on the collections of the Russian Museum of Ethnography, which has an archive of wedding caftans of the Hill and Meadow Mari, as well as a great deal of written and field sources (2010 – 2018).
Results and Discussion. The article differentiates male’s and female’s wedding caftans, underlines their basic local distinctive decor features. The colour serves as the main criterion. Apart from that, there are some distinctive features in the caftans’ back part and breast area. The article singles out highly and least decorated parts of the wedding caftan, takes a look at various materials served as a basis for decoration of the most important areas of the item. The paper highlights the most “alteration-proof” parts of the caftan and underlines the features of the wedding clothing.
Conclusion. A study of this clothing item is of great significance in terms of the research of changes in the Mari traditional ceremonial clothes, because as field research in the region has proved, the color of the wedding caftan keeps on varying depending on local customs and remains to be a criterion of the group’s identity. |
| format | Article |
| id | doaj-art-aecfcbb8d7eb42e9a050b04a2a77f873 |
| institution | Directory of Open Access Journals |
| issn | 2076-2577 2541-982X |
| language | English |
| publishDate | 2020-03-01 |
| publisher | National Research Mordova State University; MRSU |
| record_format | Article |
| spelling | doaj-art-aecfcbb8d7eb42e9a050b04a2a77f8732025-08-19T19:58:11ZengNational Research Mordova State University; MRSUФинно-угорский мир2076-25772541-982X2020-03-0111445146510.15507/2076-2577.011.2019.04.451-465The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)Aleksandra A. Pesetskaya0Russian Museum of EthnographyIntroduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Ethnography, which has an archive of wedding caftans of the Hill and Meadow Mari, as well as a great deal of written and field sources (2010 – 2018). Results and Discussion. The article differentiates male’s and female’s wedding caftans, underlines their basic local distinctive decor features. The colour serves as the main criterion. Apart from that, there are some distinctive features in the caftans’ back part and breast area. The article singles out highly and least decorated parts of the wedding caftan, takes a look at various materials served as a basis for decoration of the most important areas of the item. The paper highlights the most “alteration-proof” parts of the caftan and underlines the features of the wedding clothing. Conclusion. A study of this clothing item is of great significance in terms of the research of changes in the Mari traditional ceremonial clothes, because as field research in the region has proved, the color of the wedding caftan keeps on varying depending on local customs and remains to be a criterion of the group’s identity.http://csfu.mrsu.ru/en/archives/3036mari clotheswedding dresswedding caftanmariwedding |
| spellingShingle | Aleksandra A. Pesetskaya The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) mari clothes wedding dress wedding caftan mari wedding |
| title | The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) |
| title_full | The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) |
| title_fullStr | The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) |
| title_full_unstemmed | The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) |
| title_short | The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography) |
| title_sort | mari wedding robes as a group s identity marker based on the materials of the russian museum of ethnography |
| topic | mari clothes wedding dress wedding caftan mari wedding |
| url | http://csfu.mrsu.ru/en/archives/3036 |
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