Un pollo come Leviatano? Mostri da un’Arte transgenica

With his work, the Belgian artist-scientist Koen Vanmechelen poses a challenge to Aesthetics, which does not have the parameters to evaluate it. His artistic experience, which I would drop under the new name of Hybrid-art or Genetic-art, comes from a studied genetic manipulation of animals....

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發表在:Itinera
主要作者: Pierluigi Panza
格式: Article
語言:英语
出版: Milano University Press 2023-08-01
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在線閱讀:https://riviste.unimi.it/index.php/itinera/article/view/20835
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author Pierluigi Panza
author_facet Pierluigi Panza
author_sort Pierluigi Panza
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description With his work, the Belgian artist-scientist Koen Vanmechelen poses a challenge to Aesthetics, which does not have the parameters to evaluate it. His artistic experience, which I would drop under the new name of Hybrid-art or Genetic-art, comes from a studied genetic manipulation of animals. If from an artistic point of view the results may apparently have data of continuity with Flemish culture, the Wunderkammers aesthetic effect and experiences such as those of Damien Hirst, the type of scientific research that accompanies it is unique. Vanmechelen, in fact, taxidermizes animals (mainly chickens) born from crosses not previously existing in Nature. The DNA of the animals born from these crosses, now in the XXIIth generation, is part of the “Cosmopolittan Chicken Project” started in 1999 and is aimed at demonstrating that greater biodiversity favors the improvement of the species. Upon their death, these “unique animals” or monsters become works of art in compositions that, historically, we would have framed in the aesthetic terms of the monstrous or the grotesque.
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spelling doaj-art-b8ef7dff025c40ed8b7fea4bb0f4c90e2025-08-19T23:32:43ZengMilano University PressItinera2039-92512023-08-012510.54103/2039-9251/20835Un pollo come Leviatano? Mostri da un’Arte transgenicaPierluigi Panza0Politecnico di Milano With his work, the Belgian artist-scientist Koen Vanmechelen poses a challenge to Aesthetics, which does not have the parameters to evaluate it. His artistic experience, which I would drop under the new name of Hybrid-art or Genetic-art, comes from a studied genetic manipulation of animals. If from an artistic point of view the results may apparently have data of continuity with Flemish culture, the Wunderkammers aesthetic effect and experiences such as those of Damien Hirst, the type of scientific research that accompanies it is unique. Vanmechelen, in fact, taxidermizes animals (mainly chickens) born from crosses not previously existing in Nature. The DNA of the animals born from these crosses, now in the XXIIth generation, is part of the “Cosmopolittan Chicken Project” started in 1999 and is aimed at demonstrating that greater biodiversity favors the improvement of the species. Upon their death, these “unique animals” or monsters become works of art in compositions that, historically, we would have framed in the aesthetic terms of the monstrous or the grotesque. https://riviste.unimi.it/index.php/itinera/article/view/20835Vanmechelen, contemporary art, genetic transformations, Foucault.
spellingShingle Pierluigi Panza
Un pollo come Leviatano? Mostri da un’Arte transgenica
Vanmechelen, contemporary art, genetic transformations, Foucault.
title Un pollo come Leviatano? Mostri da un’Arte transgenica
title_full Un pollo come Leviatano? Mostri da un’Arte transgenica
title_fullStr Un pollo come Leviatano? Mostri da un’Arte transgenica
title_full_unstemmed Un pollo come Leviatano? Mostri da un’Arte transgenica
title_short Un pollo come Leviatano? Mostri da un’Arte transgenica
title_sort un pollo come leviatano mostri da un arte transgenica
topic Vanmechelen, contemporary art, genetic transformations, Foucault.
url https://riviste.unimi.it/index.php/itinera/article/view/20835
work_keys_str_mv AT pierluigipanza unpollocomeleviatanomostridaunartetransgenica