W poszukiwaniu hierofanii – o filmie Góra Sulejmana Jelizawiety Stiszowej
The subject of the article is Elizaveta Stishova's film Suleiman Mountain, the action of which focuses on the Kyrgyz mountain, surrounded by religious veneration. The title place is treated as a spatial hierophany, that is, according to Mircea Eliade's concept, a place where and through w...
| الحاوية / القاعدة: | Images |
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| المؤلف الرئيسي: | |
| التنسيق: | مقال |
| اللغة: | الإنجليزية |
| منشور في: |
Adam Mickiewicz University Press
2021-12-01
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://pressto.amu.edu.pl/index.php/i/article/view/30647 |
| الملخص: | The subject of the article is Elizaveta Stishova's film Suleiman Mountain, the action of which focuses on the Kyrgyz mountain, surrounded by religious veneration. The title place is treated as a spatial hierophany, that is, according to Mircea Eliade's concept, a place where and through which the sacred is revealed. The text will analyze the film's space-time and its symbolic dimension, and the characters' relations with the title place, especially the relationship between women and the mountain and its mythical character.
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| تدمد: | 1731-450X 2720-040X |