¡Que viva la salsa! ¡Que siga la cumbia! Clase y etnicidad en la música popular de América Latina (1970-1980)
Popular music offers a valuable perspective for social analysis, particularly regarding social class and ethnicity, due to the characteristics of their producers and consumers.This text explores the connections between salsa, Peruvian cumbia-chicha and their ability to represent and shape identitie...
| الحاوية / القاعدة: | Caravelle |
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| المؤلف الرئيسي: | |
| التنسيق: | مقال |
| اللغة: | الإسبانية |
| منشور في: |
Presses universitaires du Midi
2024-12-01
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| الموضوعات: | |
| الوصول للمادة أونلاين: | https://journals.openedition.org/caravelle/16346 |
| الملخص: | Popular music offers a valuable perspective for social analysis, particularly regarding social class and ethnicity, due to the characteristics of their producers and consumers.This text explores the connections between salsa, Peruvian cumbia-chicha and their ability to represent and shape identities through its fundamental presence at dance parties. Thus, this study allows us to retrieve the voices of popular sectors and the questions generated from there. |
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| تدمد: | 1147-6753 2272-9828 |