0259 Reconsidering Anders Zorn’s Omnibus Paintings
This article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing...
| Published in: | RIHA Journal |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | German |
| Published: |
International Association of Research Institutes in the History of Art (RIHA)
2022-01-01
|
| Subjects: | |
| Online Access: | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/85605 |
| _version_ | 1850037028980260864 |
|---|---|
| author | Emma Jansson |
| author_facet | Emma Jansson |
| author_sort | Emma Jansson |
| collection | DOAJ |
| container_title | RIHA Journal |
| description | This article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing upon recent technical analyses of the artist’s oil paintings, together with relevant archival sources, a discussion is put forward with the aim of reconfiguring the earlier Omnibus I (1891) version as an initial sketch (esquisse) to the later Omnibus II (1892). |
| format | Article |
| id | doaj-art-d1b0a236b6cf4d63a2a511f2d2afefd9 |
| institution | Directory of Open Access Journals |
| issn | 2190-3328 |
| language | deu |
| publishDate | 2022-01-01 |
| publisher | International Association of Research Institutes in the History of Art (RIHA) |
| record_format | Article |
| spelling | doaj-art-d1b0a236b6cf4d63a2a511f2d2afefd92025-08-20T00:33:31ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282022-01-0110.11588/riha.2021.0.856051382640259 Reconsidering Anders Zorn’s Omnibus PaintingsEmma JanssonThis article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing upon recent technical analyses of the artist’s oil paintings, together with relevant archival sources, a discussion is put forward with the aim of reconfiguring the earlier Omnibus I (1891) version as an initial sketch (esquisse) to the later Omnibus II (1892).https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/85605anders zornomnibus paintingstechnical studysketchfacture |
| spellingShingle | Emma Jansson 0259 Reconsidering Anders Zorn’s Omnibus Paintings anders zorn omnibus paintings technical study sketch facture |
| title | 0259 Reconsidering Anders Zorn’s Omnibus Paintings |
| title_full | 0259 Reconsidering Anders Zorn’s Omnibus Paintings |
| title_fullStr | 0259 Reconsidering Anders Zorn’s Omnibus Paintings |
| title_full_unstemmed | 0259 Reconsidering Anders Zorn’s Omnibus Paintings |
| title_short | 0259 Reconsidering Anders Zorn’s Omnibus Paintings |
| title_sort | 0259 reconsidering anders zorn s omnibus paintings |
| topic | anders zorn omnibus paintings technical study sketch facture |
| url | https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/85605 |
| work_keys_str_mv | AT emmajansson 0259reconsideringanderszornsomnibuspaintings |