Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo

During the sixteenth century in New Spain, the celebration of some Christian feasts, especiality Holy Week and Corpus Christi, was much more complex than any of the dramatic rites of Late Medieval Spain. Theater, architecture, and sculpture were used by the mendicant orders, and by th...

Full description

Bibliographic Details
Published in:Anales del Instituto de Investigaciones Estéticas
Main Author: Susan Verdi Webster
Format: Article
Language:English
Published: Universidad Nacional Autónoma de México 1997-08-01
Subjects:
Online Access:https://www.analesiie.unam.mx/index.php/analesiie/article/view/1785
_version_ 1848667191003578368
author Susan Verdi Webster
author_facet Susan Verdi Webster
author_sort Susan Verdi Webster
collection DOAJ
container_title Anales del Instituto de Investigaciones Estéticas
description During the sixteenth century in New Spain, the celebration of some Christian feasts, especiality Holy Week and Corpus Christi, was much more complex than any of the dramatic rites of Late Medieval Spain. Theater, architecture, and sculpture were used by the mendicant orders, and by the confraternities associated to them, to reinforce instruction. Mural painting was used to chronicle these celebrations as well as to remind the faithful of their representation, as is discussed in this analysis of the Franciscan murals of Huejotzingo.
format Article
id doaj-art-e25c41b2038848fa913936e37bc92f4c
institution Directory of Open Access Journals
issn 0185-1276
1870-3062
language English
publishDate 1997-08-01
publisher Universidad Nacional Autónoma de México
record_format Article
spelling doaj-art-e25c41b2038848fa913936e37bc92f4c2025-10-28T23:13:54ZengUniversidad Nacional Autónoma de MéxicoAnales del Instituto de Investigaciones Estéticas0185-12761870-30621997-08-01197010.22201/iie.18703062e.1997.70.1785Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, HuejotzingoSusan Verdi WebsterDuring the sixteenth century in New Spain, the celebration of some Christian feasts, especiality Holy Week and Corpus Christi, was much more complex than any of the dramatic rites of Late Medieval Spain. Theater, architecture, and sculpture were used by the mendicant orders, and by the confraternities associated to them, to reinforce instruction. Mural painting was used to chronicle these celebrations as well as to remind the faithful of their representation, as is discussed in this analysis of the Franciscan murals of Huejotzingo.https://www.analesiie.unam.mx/index.php/analesiie/article/view/1785Arte colonial
spellingShingle Susan Verdi Webster
Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
Arte colonial
title Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
title_full Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
title_fullStr Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
title_full_unstemmed Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
title_short Art Ritual, and Confraternities in Sixteenth Century New Spain. Penitential Imagery at the Monastery of San Miguel, Huejotzingo
title_sort art ritual and confraternities in sixteenth century new spain penitential imagery at the monastery of san miguel huejotzingo
topic Arte colonial
url https://www.analesiie.unam.mx/index.php/analesiie/article/view/1785
work_keys_str_mv AT susanverdiwebster artritualandconfraternitiesinsixteenthcenturynewspainpenitentialimageryatthemonasteryofsanmiguelhuejotzingo