Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel

This paper critically analyses The God of Small Things by Arundhati Roy and Brick Lane by Monica Ali with Spivak’s work as literary practice. This enabled the understanding of both the problems and possibilities that Spivak’s work holds while the paper also extends and repositions South Asian women’...

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Published in:University of Chitral Journal of Linguistics and Literature
Main Authors: Sania Gul, Zahid Ali Shah, Dr.
Format: Article
Language:English
Published: Department of English, University of Chitral 2022-03-01
Subjects:
Online Access:https://jll.uoch.edu.pk/index.php/journal10/article/view/360
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author Sania Gul
Zahid Ali Shah, Dr.
author_facet Sania Gul
Zahid Ali Shah, Dr.
author_sort Sania Gul
collection DOAJ
container_title University of Chitral Journal of Linguistics and Literature
description This paper critically analyses The God of Small Things by Arundhati Roy and Brick Lane by Monica Ali with Spivak’s work as literary practice. This enabled the understanding of both the problems and possibilities that Spivak’s work holds while the paper also extends and repositions South Asian women’s writing. While interrogating the subaltern agency and subjectivity within the dominant ideological paradigms, the paper engages with the politicized readings of the South Asian novel written by women which is brought into dialogue with attention to literary form. This research also highlights the need for further investigation of literary forms used by postcolonial women writers to develop a deeper understanding of the interconnections between realist and postmodern styles and the representations of female experience. The different conclusions of the chosen novels suggest diversity and complexity not only in methods and strategies of representing women but also in degrees of agency, discrimination, oppression, and choice of action among the leading female characters. This results in interpretive diversity and variety in the texts which resist simple conclusions about homogenous subaltern oppression which the readers make. Through characters like Ali’s Nazneen, Roy’s Ammu, and Rahel, the selected authors succeed in creating complex models of women with heterogeneous experiences, where a woman is modern and traditional, marginalized and resistant, silent and resilient. Postcolonial women writers depict female characters that showcase the social problems as well as their solutions.
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spelling doaj-art-e29be9d64bb0409d99b24ded87a01a972025-08-19T23:37:08ZengDepartment of English, University of ChitralUniversity of Chitral Journal of Linguistics and Literature2617-36112663-15122022-03-016I133143Surviving Subjectivities: Negotiating Subaltern Agency in South Asian NovelSania Gul0Zahid Ali Shah, Dr.1Department of English, Islamia College Peshawar, Khyber Pakhtunkhwa, PakistanDepartment of English, Islamia College Peshawar, Khyber Pakhtunkhwa, PakistanThis paper critically analyses The God of Small Things by Arundhati Roy and Brick Lane by Monica Ali with Spivak’s work as literary practice. This enabled the understanding of both the problems and possibilities that Spivak’s work holds while the paper also extends and repositions South Asian women’s writing. While interrogating the subaltern agency and subjectivity within the dominant ideological paradigms, the paper engages with the politicized readings of the South Asian novel written by women which is brought into dialogue with attention to literary form. This research also highlights the need for further investigation of literary forms used by postcolonial women writers to develop a deeper understanding of the interconnections between realist and postmodern styles and the representations of female experience. The different conclusions of the chosen novels suggest diversity and complexity not only in methods and strategies of representing women but also in degrees of agency, discrimination, oppression, and choice of action among the leading female characters. This results in interpretive diversity and variety in the texts which resist simple conclusions about homogenous subaltern oppression which the readers make. Through characters like Ali’s Nazneen, Roy’s Ammu, and Rahel, the selected authors succeed in creating complex models of women with heterogeneous experiences, where a woman is modern and traditional, marginalized and resistant, silent and resilient. Postcolonial women writers depict female characters that showcase the social problems as well as their solutions.https://jll.uoch.edu.pk/index.php/journal10/article/view/360subalternspivaksouth asian fictionresistanceand subjectivity
spellingShingle Sania Gul
Zahid Ali Shah, Dr.
Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
subaltern
spivak
south asian fiction
resistance
and subjectivity
title Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
title_full Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
title_fullStr Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
title_full_unstemmed Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
title_short Surviving Subjectivities: Negotiating Subaltern Agency in South Asian Novel
title_sort surviving subjectivities negotiating subaltern agency in south asian novel
topic subaltern
spivak
south asian fiction
resistance
and subjectivity
url https://jll.uoch.edu.pk/index.php/journal10/article/view/360
work_keys_str_mv AT saniagul survivingsubjectivitiesnegotiatingsubalternagencyinsouthasiannovel
AT zahidalishahdr survivingsubjectivitiesnegotiatingsubalternagencyinsouthasiannovel