Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”

In the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts....

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Published in:Cuadernos de Literatura
Main Author: Jorge Dubatti
Format: Article
Language:English
Published: Instituto de Letras Alfredo Veiravé, Facultad de Humanidades, Universidad Nacional del Nordeste 2022-07-01
Subjects:
Online Access:https://revistas.unne.edu.ar/index.php/clt/article/view/5989
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author Jorge Dubatti
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description In the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts. In Actores de provincia (1991), one of the most relevant theatrical pieces of his production, Ricci displays a set of valuable observations on the philosophy of scenic praxis on the theatrical event, its complex thickness and its primary liminality. He makes it from the annotations or from the speech / dialogue of the characters. This article explores Ricci's modernizing contribution to Argentine and Latin American theatrology based on the analysis of his poetics of “theater within theater” in Actores de provincia.
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spelling doaj-art-e30ff594da5243e09a38b81bf1b66efd2025-08-19T19:55:52ZengInstituto de Letras Alfredo Veiravé, Facultad de Humanidades, Universidad Nacional del NordesteCuadernos de Literatura0326-51022684-04992022-07-01018334210.30972/clt.01859895399Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”Jorge Dubatti0Universidad de Buenos AiresIn the history of Argentine dramaturgies, Jorge Ricci (Santa Fe, 1946- 2021) stands out as an artist-researcher, producer of knowledge from theatrical praxis, through his essays (especially El teatro salvaje, 1986, expanded in 2011) and implicit / explicit thought in his meta-theater dramatic texts. In Actores de provincia (1991), one of the most relevant theatrical pieces of his production, Ricci displays a set of valuable observations on the philosophy of scenic praxis on the theatrical event, its complex thickness and its primary liminality. He makes it from the annotations or from the speech / dialogue of the characters. This article explores Ricci's modernizing contribution to Argentine and Latin American theatrology based on the analysis of his poetics of “theater within theater” in Actores de provincia.https://revistas.unne.edu.ar/index.php/clt/article/view/5989dramaturgiaacontecimiento teatralliminalidad primaria
spellingShingle Jorge Dubatti
Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
dramaturgia
acontecimiento teatral
liminalidad primaria
title Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_full Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_fullStr Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_full_unstemmed Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_short Actores de provincia (1991), by Jorge Ricci: philosophy of stage praxis in the “theater within the theater”
title_sort actores de provincia 1991 by jorge ricci philosophy of stage praxis in the theater within the theater
topic dramaturgia
acontecimiento teatral
liminalidad primaria
url https://revistas.unne.edu.ar/index.php/clt/article/view/5989
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