| Summary: | The article analyzes the features of the art criticism discourse of the Honored Artist of the Chechen Republic A. Sh. Pashayev. The goal is to reveal the specifics of the cognitive-semantic structures of the linguistic consciousness of the artist, presenting the national ethnoculture with the help of surreal symbols. The study reveals the features of self-awareness, worldview and the system of relationships between a creative personality and the outside world, broadcasting in the Chechen artistic space a new direction for the North Caucasus socio-cultural space - surrealism. It should be emphasized that the ethnocultural consciousness of the artist presents the objectively existing linguistic and creative specificity of the Chechen linguistic culture through surreal symbols, conveying the axiology of the ethnic group, which increases interest in national semiotics and deep value messages. The work is carried out at the intersection of linguophilosophy, sociocognitive science, linguoculturology and intercultural communication. As a research task, the authors identified an attempt to analyze the social role of the artist in creative activity, determining the aesthetic meaning and significance of art historical practices.
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