Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl

Today, Johan Christian Dahl is considered to be the father of Norwegian painting. His way of painting the Norwegian landscape was very influential and marked Nordic landscape painters for many decades. However, at the very beginning of his career, he left Norway – since it lacked an artistic scene a...

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Published in:Perspective
Main Author: Carl-Johan Olsson
Format: Article
Language:French
Published: Institut national d'histoire de l'art 2019-06-01
Subjects:
Online Access:https://journals.openedition.org/perspective/13330
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author Carl-Johan Olsson
author_facet Carl-Johan Olsson
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description Today, Johan Christian Dahl is considered to be the father of Norwegian painting. His way of painting the Norwegian landscape was very influential and marked Nordic landscape painters for many decades. However, at the very beginning of his career, he left Norway – since it lacked an artistic scene and society – for Copenhagen, where he studied at the Academy of Fine Arts. Though he initially intended to return to live in Norway after his European journey, he ended his days in Dresden. This essay examines some of Dahl’s earliest works to understand how the artist laid the foundations for the depiction of his homeland even before returning to it and how he drew on both the fertile ground of the old masters and contemporary German Romantic philosophy to create the premises of what would later be considered as typically Norwegian.
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spelling doaj-art-e64ab5f6120b4500a0c6a464fbed4eb52025-10-06T14:23:07ZfraInstitut national d'histoire de l'artPerspective1777-78522269-77212019-06-01118919710.4000/perspective.13330Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian DahlCarl-Johan OlssonToday, Johan Christian Dahl is considered to be the father of Norwegian painting. His way of painting the Norwegian landscape was very influential and marked Nordic landscape painters for many decades. However, at the very beginning of his career, he left Norway – since it lacked an artistic scene and society – for Copenhagen, where he studied at the Academy of Fine Arts. Though he initially intended to return to live in Norway after his European journey, he ended his days in Dresden. This essay examines some of Dahl’s earliest works to understand how the artist laid the foundations for the depiction of his homeland even before returning to it and how he drew on both the fertile ground of the old masters and contemporary German Romantic philosophy to create the premises of what would later be considered as typically Norwegian.https://journals.openedition.org/perspective/13330landscapemonographpaintingnaturalismbiographynature
spellingShingle Carl-Johan Olsson
Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
landscape
monograph
painting
naturalism
biography
nature
title Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
title_full Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
title_fullStr Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
title_full_unstemmed Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
title_short Des lointains si proches – de l’art de construire une image de la Norvège dans les œuvres de jeunesse de Johan Christian Dahl
title_sort des lointains si proches de l art de construire une image de la norvege dans les oeuvres de jeunesse de johan christian dahl
topic landscape
monograph
painting
naturalism
biography
nature
url https://journals.openedition.org/perspective/13330
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