Towards Posthumanist Design: With Water

The article presents an investigation into the performative as developed by Hensel (2010) and the posthumanist as developed by Haraway (1988) within a broadly architectural context. By assuming the agency and continuous becoming of the material world, the culturally located and anthropocentric notio...

詳細記述

書誌詳細
出版年:FORMakademisk
第一著者: Lisa Meaney
フォーマット: 論文
言語:デンマーク語
出版事項: Formakademisk, Oslo 2013-11-01
主題:
オンライン・アクセス:https://journals.hioa.no/index.php/formakademisk/article/view/542
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author Lisa Meaney
author_facet Lisa Meaney
author_sort Lisa Meaney
collection DOAJ
container_title FORMakademisk
description The article presents an investigation into the performative as developed by Hensel (2010) and the posthumanist as developed by Haraway (1988) within a broadly architectural context. By assuming the agency and continuous becoming of the material world, the culturally located and anthropocentric notion of the designer is called into question. The practice of posthumanist and performative design collaboration across the human-nonhuman spheres is presented as analternative. The development of a collaborative process between water as matter, and the maker/designer is the focus. A practice based investigation of theoretical ideas around agency, irony, relational dialectics and situated andembodied knowledge as developed by Barad (2003), Haraway (1988) and Linton (2010) is documented through a series of collaborative experiments with water.The article concludes that the enactment of our human-nonhuman, material-semiotic relationships precludes our knowledge. It posits the process based practice of designing from a performative and posthumanist site of irony, embodiment and continuous socio-natural becoming as an effective environmental strategy for design.
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spelling doaj-art-e7b5f38fbfa94253b1749d6415d708e82025-08-19T20:14:43ZdanFormakademisk, OsloFORMakademisk1890-95152013-11-016210.7577/formakademisk.542463Towards Posthumanist Design: With WaterLisa MeaneyThe article presents an investigation into the performative as developed by Hensel (2010) and the posthumanist as developed by Haraway (1988) within a broadly architectural context. By assuming the agency and continuous becoming of the material world, the culturally located and anthropocentric notion of the designer is called into question. The practice of posthumanist and performative design collaboration across the human-nonhuman spheres is presented as analternative. The development of a collaborative process between water as matter, and the maker/designer is the focus. A practice based investigation of theoretical ideas around agency, irony, relational dialectics and situated andembodied knowledge as developed by Barad (2003), Haraway (1988) and Linton (2010) is documented through a series of collaborative experiments with water.The article concludes that the enactment of our human-nonhuman, material-semiotic relationships precludes our knowledge. It posits the process based practice of designing from a performative and posthumanist site of irony, embodiment and continuous socio-natural becoming as an effective environmental strategy for design.https://journals.hioa.no/index.php/formakademisk/article/view/542Agencyperformativityposthumanismarchitecturemakingenvironment
spellingShingle Lisa Meaney
Towards Posthumanist Design: With Water
Agency
performativity
posthumanism
architecture
making
environment
title Towards Posthumanist Design: With Water
title_full Towards Posthumanist Design: With Water
title_fullStr Towards Posthumanist Design: With Water
title_full_unstemmed Towards Posthumanist Design: With Water
title_short Towards Posthumanist Design: With Water
title_sort towards posthumanist design with water
topic Agency
performativity
posthumanism
architecture
making
environment
url https://journals.hioa.no/index.php/formakademisk/article/view/542
work_keys_str_mv AT lisameaney towardsposthumanistdesignwithwater