Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki

After works focusing on self-representation and the female body, from 1982 onwards the artist duo Maria Klonaris and Katerina Thomadaki placed the figures of the hermaphrodite and the androgynous at the heart of their concerns and their plastic research. For the artists, the aim was to shift the que...

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Published in:Images Re-Vues
Main Author: Marie Vicet
Format: Article
Language:French
Published: Centre d´Histoire et Théorie des Arts 2023-10-01
Subjects:
Online Access:https://journals.openedition.org/imagesrevues/14029
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author Marie Vicet
author_facet Marie Vicet
author_sort Marie Vicet
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container_title Images Re-Vues
description After works focusing on self-representation and the female body, from 1982 onwards the artist duo Maria Klonaris and Katerina Thomadaki placed the figures of the hermaphrodite and the androgynous at the heart of their concerns and their plastic research. For the artists, the aim was to shift the question of the body and its representation, as well as that of the gaze, onto dissident bodies. This article examines how Klonaris and Thomadaki create new modes of appearance for the images they use in both Le Cycle des Hermaphrodites and Le Cycle de l’Ange, whether the sculpture of the Sleeping Hermaphroditus in the Louvre, the figure of Orlando or the medical photograph of an intersex person, in order to challenge gender binarity. Using the concepts of “intersexuality” and “intermedia”, which they have developed together, the artists break down both artistic categories and genders.
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spelling doaj-art-ec2756fbfef14367a7679b77faa2e80c2025-08-20T01:56:02ZfraCentre d´Histoire et Théorie des ArtsImages Re-Vues1778-38012023-10-011110.4000/imagesrevues.14029Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina ThomadakiMarie VicetAfter works focusing on self-representation and the female body, from 1982 onwards the artist duo Maria Klonaris and Katerina Thomadaki placed the figures of the hermaphrodite and the androgynous at the heart of their concerns and their plastic research. For the artists, the aim was to shift the question of the body and its representation, as well as that of the gaze, onto dissident bodies. This article examines how Klonaris and Thomadaki create new modes of appearance for the images they use in both Le Cycle des Hermaphrodites and Le Cycle de l’Ange, whether the sculpture of the Sleeping Hermaphroditus in the Louvre, the figure of Orlando or the medical photograph of an intersex person, in order to challenge gender binarity. Using the concepts of “intersexuality” and “intermedia”, which they have developed together, the artists break down both artistic categories and genders.https://journals.openedition.org/imagesrevues/14029contemporary artandrogynycross-dressinghermaphroditusintersexintermediality
spellingShingle Marie Vicet
Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
contemporary art
androgyny
cross-dressing
hermaphroditus
intersex
intermediality
title Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
title_full Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
title_fullStr Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
title_full_unstemmed Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
title_short Corps intersexes, androgynie et intermédialité dans l’œuvre des artistes Maria Klonaris et Katerina Thomadaki
title_sort corps intersexes androgynie et intermedialite dans l oeuvre des artistes maria klonaris et katerina thomadaki
topic contemporary art
androgyny
cross-dressing
hermaphroditus
intersex
intermediality
url https://journals.openedition.org/imagesrevues/14029
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