L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images

Before being extensively practiced in the Old South after the abolition of slavery, lynching was massively used in the West of the United States causing hundreds of victims. The artist and academic Ken Gonzales-Day, specialists in the matter in California, questions through with work how the abundan...

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التفاصيل البيبلوغرافية
الحاوية / القاعدة:Les Cahiers de Framespa
المؤلف الرئيسي: Pierre Vialle
التنسيق: مقال
اللغة:الإنجليزية
منشور في: UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA) 2018-02-01
الموضوعات:
الوصول للمادة أونلاين:https://journals.openedition.org/framespa/4662
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author Pierre Vialle
author_facet Pierre Vialle
author_sort Pierre Vialle
collection DOAJ
container_title Les Cahiers de Framespa
description Before being extensively practiced in the Old South after the abolition of slavery, lynching was massively used in the West of the United States causing hundreds of victims. The artist and academic Ken Gonzales-Day, specialists in the matter in California, questions through with work how the abundance of lynching in the region was able to supply lacks of recordings in the American History in spite of the fact that there are numerous photos of these crimes. An attentive look to the context of its perpetration, and to the influence of the conjunctive character of the crime, reveals that following the examples of other artefacts, an image has power and meaning only to those who conferred it, and that problems of accountability and a memory competition are not the only reasons in the forgetting of the Californian lynchings.
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spelling doaj-art-ec9b68a0dc1e40b1b00ed8fb4a3db6eb2025-08-20T02:36:58ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47612018-02-012610.4000/framespa.4662L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des imagesPierre VialleBefore being extensively practiced in the Old South after the abolition of slavery, lynching was massively used in the West of the United States causing hundreds of victims. The artist and academic Ken Gonzales-Day, specialists in the matter in California, questions through with work how the abundance of lynching in the region was able to supply lacks of recordings in the American History in spite of the fact that there are numerous photos of these crimes. An attentive look to the context of its perpetration, and to the influence of the conjunctive character of the crime, reveals that following the examples of other artefacts, an image has power and meaning only to those who conferred it, and that problems of accountability and a memory competition are not the only reasons in the forgetting of the Californian lynchings.https://journals.openedition.org/framespa/4662memorylynchingphotographyerasinguse
spellingShingle Pierre Vialle
L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
memory
lynching
photography
erasing
use
title L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
title_full L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
title_fullStr L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
title_full_unstemmed L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
title_short L’effacement des lynchages californiens. La mémoire et l’instrumentalisation des images
title_sort l effacement des lynchages californiens la memoire et l instrumentalisation des images
topic memory
lynching
photography
erasing
use
url https://journals.openedition.org/framespa/4662
work_keys_str_mv AT pierrevialle leffacementdeslynchagescalifornienslamemoireetlinstrumentalisationdesimages