REFERENCES FOR THE DEVELOPMENT OF THE CLUJ-NAPOCA SCHOOL OF COMPOSITION IN THE CONTEXT OF ROMANIAN CHORAL MUSIC
In this article, we have emphasized the premises that led to the birth of the Cluj-Napoca school of composition belonging to the Music Academy, a place where great musical personalities will be shaped, both for the Romanian and universal artistic-musical context. One of the most important composers...
| 出版年: | Studia Universitatis Babeş-Bolyai. Musica |
|---|---|
| 主要な著者: | , |
| フォーマット: | 論文 |
| 言語: | 英語 |
| 出版事項: |
Babeș-Bolyai University
2020-06-01
|
| 主題: | |
| オンライン･アクセス: | http://193.231.18.162/index.php/subbmusica/article/view/1998 |
| 要約: | In this article, we have emphasized the premises that led to the birth of the Cluj-Napoca school of composition belonging to the Music Academy, a place where great musical personalities will be shaped, both for the Romanian and universal artistic-musical context. One of the most important composers of the interwar years is Sigismund Toduţă, a former student of this institution, who later became leader of the Cluj-Napoca school of composition. The stylistic coordinates used in his compositional approach will be featured, based on the triad of inspiration sources – the folk melos, the Byzantine song and the Gregorian chant. Through his musical, pedagogical and human qualities, Toduţă will be able to guide, in the composition class, a generation of musicians that will prevail in the Romanian cultural space through a musical language that has as its starting point the orientations and conceptions of the master, enriched, along the way, with their own conquests and principles. |
|---|---|
| ISSN: | 1844-4369 2065-9628 |