The presence of computers in Yugoslav popular music of the second half of the 1980s
This article is the result of my research of Yugoslav pop music discography in the second half of the 1980s, focused on the processes of implementation of digital musical instruments and general-purpose computers into music production - as original sound sources or replacements for acoustic...
| الحاوية / القاعدة: | Muzikologija |
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| المؤلف الرئيسي: | |
| التنسيق: | مقال |
| اللغة: | الإنجليزية |
| منشور في: |
Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2022-01-01
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| الموضوعات: | |
| الوصول للمادة أونلاين: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2022/1450-98142233173M.pdf |
| الملخص: | This article is the result of my research of Yugoslav pop music discography
in the second half of the 1980s, focused on the processes of implementation
of digital musical instruments and general-purpose computers into music
production - as original sound sources or replacements for acoustic
instruments, as well as poetic metaphors and elements of graphic design of
record covers. Based on the data available from recording staff listings,
interviews with musicians/producers and the listening experience, the paper
covers the most prominent examples of aforementioned practices. |
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| تدمد: | 1450-9814 2406-0976 |