IMMANENT POETICS DICTIONARY OF THE KHAZARS
<em>Dictionary of the Khazars</em> balances on the borders of genre. Literary innovations that Pavic presented his first novel, increased the horizon of expectations of the readership. These innovations, the bulk of pages, it is necessary to collect in order to get familiar with the writ...
| Published in: | Metodički Vidici |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | English |
| Published: |
Faculty of Philosophy, University of Novi Sad, City Library of Pančevo
2011-02-01
|
| Subjects: | |
| Online Access: | http://epub.ff.uns.ac.rs/index.php/MV/article/view/769 |
| Summary: | <em>Dictionary of the Khazars</em> balances on the borders of genre. Literary innovations that Pavic presented his first novel, increased the horizon of expectations of the readership. These innovations, the bulk of pages, it is necessary to collect in order to get familiar with the writer’s poetics. The basic concept of Pavic’s novel-lexicon based on the notion of palimpsest. Specifically, the <em>Dictionary of the Khazars </em>are already familiar motifs from a writer’s story <em>Flower </em><em>fever, Dinner in Dubrovnik, The Game of Chess with living </em><em>figures</em> and others, which can be determined by applying the comparative method. In the philological analysis of the novel, the unusual syntactic structure and paradoxes, it is shown that Pavic tends to separate from the standard linguistic expression, thus creating their own idiom. Analysis of key segments of the novel using a comparative, structuralist, philological and tex method, leads to its immanent poetics. |
|---|---|
| ISSN: | 2217-415X 2334-7465 |