Search Results - "Steven Soderbergh"

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    Cinematic Memory and The Americanization of The Holocaust by Nelson Barbara A.

    Published in Romanian Journal of English Studies (2012-12-01)
    “…Steven Soderbergh’s The Good German (2006), while grounding itself in WWII, casts a wide net as it attempts to examine the role of memory, the difficulty of assigning guilt, determining justice, defining the past, and writing history. …”
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    Kafka Unchained: Returns beyond Biofiction by Benno Wagner

    Published in Svět Literatury (2024-06-01)
    “…Against the background of the 100th anniversary of Franz Kafka’s death, the article explores a branch of author-as-character fiction that escapes the generic restraints of biography and biofiction: unchained writer fiction. Using Steven Soderbergh’s film Kafka (1991), filmmaker Gil Kofman’s novel debut aKa (2023), and Haruki Murakami’s global bestseller Kafka on the Shore (2002/2005) as a provisional sample, different modes of unchaining Kafka from the fetters of biography and biofiction are brought to light and contrasted against each other.…”
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    Kino przestronnego kadru by Piotr Pławuszewski

    Published in Images (2011-01-01)
    “…From among the titles that are mentioned, a special author’s attention is dedicated to two movies: And Everything Is Going Fine (directed by Steven Soderbergh, 2010; a haunting picture of life and death of Spalding Gray, American writer and performer of self-written monologues) and Two Escobars (directed by Jeff and Michael Zimbalist, 2010; a story about the Colombian mafia, soccer, drugs, heroes, bandits and much more). …”
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    La persona de Matthew McConaughey au début des années 2010 : masculinité, hétérosexualité et blanchité liquides by Maureen Lepers

    Published in Mise au Point (2023-01-01)
    “…Using the tools of gender studies, star studies and critical white studies, it looks at four parameters – gender, sexual orientation, class and race – in four of McConaughey’s characters of the last decade: Magic Mike’s stripper Dallas (Steven Soderbergh, 2012), Killer Joe’s killer Ward (William Friedkin, 2012), the lonesome Mud in the movie of the same name (Jeff Nichols, 2012), and Rust, True Detective’s tortured but brilliant detective. …”
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    UNSPEAKABLE OTHERNESS—AN ESSAY ON THE FAILURE OF COGNITIVE AND EPISTEMIC COMMUNICATION TOOLS IN STANISLAW LEM’S SOLARIS by Sébastien Doubinsky

    Published in Filozofia i Nauka (2022-10-01)
    “…His most famous novel, was published in 1961, and was adapted twice for the big screen, first in 1971 by Andrej Tarkovski, and in 2002 by Steven Soderbergh. The plot revolves around the psychologist Kris Kelvin, who is sent on the planet Solaris to try to find out if it is possible to communicate with the alien ocean that covers almost all of its surface. …”
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