Search Results - ASIAN AESTHETIC ART AND CONTEXT

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    Emerging from the Shadows: The Visual Arts and Asian American History by Gordon H Chang

    Published in Journal of Transnational American Studies (2009-02-01)
    “…To unravel the complexity of Asian American art expression and its vital place in American art, the texts consider aesthetics, the social structures of art production and criticism, and national and international historical contexts. …”
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    Advancing architectural heritage: precision decoding of East Asian timber structures from Tang dynasty to traditional Japan by Chan Gao, Genfeng Zhao, Sen Gao, Shuxin Du, Eunyoung Kim, Tao Shen

    Published in Heritage Science (2024-06-01)
    “…The application of our model extends beyond mere architectural analysis; it offers new insights into the intricate interplay of cultural identity and adaptability inherent in East Asian architectural heritage. The study establishes a solid foundation for the meticulous classification and analysis of architectural styles in timber structures within an expansive cultural and historical context, thereby enriching our understanding and preservation of these traditions.…”
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    Dificultades, aciertos y desaciertos en la asunción del concepto de “estética” en Japón by Jaime Romero Leo

    Published in Daimon (2025-09-01)
    “…Abstract: The purpose of the current paper is to establish the social and intellectual context in which the concept of “aesthetics” [bigaku] was translated, in modern Japan (1868-1912) (under- stood as a field of philosophy in Europe). …”
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    Rethinking About Exhibitions: *Towards a Mystical Reality* through Exhibitionary Space by Yu Jin Seng

    Published in Index Journal (2024-08-01)
    “…Esa has subsequently restaged *TMR* across multiple venues in South East Asia, establishing this exhibition as a case study and entry point in how methodologies for exhibition histories as a discipline can be developed within the context of Asian art. I propose the possibility that the intersections between the curatorial and restaging break the impasse between historical art and the exhibition. …”
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