Search Results - BOURGEOIS DRAMA

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  1. 1

    The Cooks of The Canterbury Tales: The Backstage of Bourgeois Social Drama by Oya BAYILTMIŞ ÖĞÜTCÜ

    “…Therefore, this article aims at analysing Chaucer's depiction of the cooks in the Canterbury Tales, and to discuss their function in contributing to the social changes as gures at the backstage of bourgeois social drama. In line with this, this article argues that the cooks were indispensable for the medieval bourgeoisie to sustain their social drama through the use of food culture.…”
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  2. 2

    The de-dramatization of history and the prose of bourgeois life by Narve Fulsås

    Published in Nordlit: Tidsskrift i litteratur og kultur (2015-02-01)
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  3. 3

    Slavery, Sympathy, and White Self-Representation in Dutch Bourgeois Theater of 1800 by Sarah Josephine Adams

    Published in Early Modern Low Countries (2018-12-01)
    Subjects: “…bourgeois drama…”
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  4. 4

    Cultural identities in dramatic dialogue by Grujičić Petar

    Published in Zbornik Radova Akademije Umetnosti (2024-01-01)
    Subjects: “…bourgeois drama…”
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  5. 5

    “Russian Garrick” and his French Shakespeare: “Les Tombeaux de Vérone” by L.-S. Mercier in V. Pomerantsev’s interpretation by Elena M. Lutsenko

    Published in Литературный факт (2024-12-01)
    Subjects: “…bourgeois drama…”
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  6. 6

    Friendship versus love in Ibsen's dramas by Beret Wicklund

    Published in Nordlit: Tidsskrift i litteratur og kultur (2015-02-01)
    “…The article explores how friendships between men and women are presented in the dramas A Doll’s House, The Lady from the Sea, Rosmersholm and Hedda Gabler. …”
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  7. 7

    From Thunderstorm to Under the Roofs of Shanghai: A Study of the Evolution of Bourgeois Characters in the 1920s and 1930s by Li Jiayu, Luo Xinyu, Yu Xitong

    Published in SHS Web of Conferences (2025-01-01)
    “…Taking the bourgeois character image as the foothold and the change of the social background trend of thought as the lead, this paper demonstrates the changes of the new Chinese drama in shaping the character image. …”
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  8. 8

    "Gründerzeit" ethics in the dramas by Paul Lindau and Richard Voss by Eldi Grubišić Pulišelić

    “…While Paul Lindau in his dramas extolled and idealised the world of "Gründerzeit", Voß showed the psychopathic state caused by the suppression of emotions and libido. …”
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  9. 9

    Between occultism and drama. Henrik Ibsen and Aleister Crowley by Giuliano D' Amico

    Published in Nordlit: Tidsskrift i litteratur og kultur (2015-02-01)
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  10. 10

    Dances in the drawing-room: musical elements in Ibsen's dramas by Sofija Christensen

    Published in Nordlit: Tidsskrift i litteratur og kultur (2015-02-01)
    “…Although this idea of dance as the utmost life-affirming activity in the bourgeois way of life is also recognizable in Ibsen’s use of this motif, the living-room dances in Ibsen’s oeuvre are multi-layered and complex, and usually serve more than one function in the dramas. …”
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  11. 11

    In the Wake of the New Drama: Villiers de l’Isle-Adam’s La Révolte and Its First Russian Translation by Anfisa D. Savina

    Published in Studia Litterarum (2019-09-01)
    “…Albeit conceived as a social drama, the play is actually a philosophical and poetic work. …”
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  12. 12

    The development of the provincial theater in the 1920s – the first half of the 1930s (by the example of the Penza Drama Theater named after A.V. Lunacharsky) by Ludmila Yu. Fedoseeva, Tatiana V. Gavrilova

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  13. 13

    „Matka” Witkacego: Tragedia rodzinna – zagłada człowieczeństwa w człowieku by Lech Sokół

    Published in Pamiętnik Teatralny (2016-12-01)
    “…What sets these family dramas apart is their eeriness; they feature vampiric motifs; they expose putrid decay hidden behind the façade of a happy bourgeois home that has lost all flavor of tragedy and thus belongs to the category of grotesque. …”
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  14. 14

    The Posthuman and Irish Antigones: Rights, Revolt, Extinction by Natasha Remoundou

    Published in Clotho (2022-12-01)
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  15. 15

    A frágil realidade de plástico: um estudo comparativo da imagem “Casa de Bonecas” em Henrik Ibsen e Katherine Mansfield = The fragile plastic reality: a comparative study of the im... by Talita Annunciato Rodrigues, Cleide Antonia Rapucci

    Published in Acta Scientiarum: Language and Culture (2010-01-01)
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  16. 16

    Polska premiera «Mieszczanina szlachcicem» w roku 1687 by Julian Lewański

    Published in Pamiętnik Teatralny (1956-03-01)
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  17. 17

    REFLECTIONS ON SOME DEFINING ASPECTS OF THE DRAMATIC MONOLOGUE by TÂRȚĂU, SVETLANA

    “…Here we are referring, first of all, to bourgeois drama, romantic drama, or symbolist drama, secondly – to modern drama, and more recently - to the post-dramatic theater, the new drama etc. …”
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  18. 18

    Family Values: Decoding Boris Vian's Les Bâtisseurs d'empire by Laurence M. Porter

    Published in Studies in 20th & 21st Century Literature (1997-06-01)
    “…The disintegrating family figures the fragmentation of the individual into dissociated super ego, and id, incapable of mutual communication, a drama ending in a psychotic break. The absurdist features of repetition and non sequitur cannot totally conceal an underlying dramatic structure and the gradual emergence of the anti-colonialist, bourgeois critique code. …”
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  19. 19

    Intimité de Jean-Victor Pellerin, ou à la recherche du « théâtre du silence » by Tomasz Kaczmarek

    Published in Quêtes Littéraires (2017-12-01)
    “…Jean-Victor Pellerin was a representative author of the „school of silence” or, as some called it, „art of unexpressed”, in which emotions are implied in gestures, fragments of speach, and silence. In his first drama Intimacy (1922) the French playwrighter presents a bourgeois marriage living a monotonous life. …”
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  20. 20

    Modernist Aesthetics and Familial Textuality: Gide's Strait is the Gate by Roddey Reid

    Published in Studies in 20th & 21st Century Literature (1989-08-01)
    “…In Strait is the Gate Jerome's narrative is a tale of failed courtship that has as its setting bourgeois family life in a stage of dissolution. Out of the overwrought family drama emerges an aesthetic problematic: Jerome's account of a fragmented narrative that eschews the traditional orderings of the récit . …”
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