Search Results - CREATIVE CERAMIC FORMING

Plastic formulations of pre-fabricated products as a creative medium in the ceramic field by Manal Elgamaal

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Heritage and its role in enriching the creative design of contemporary ceramics by Salwa Roshdy

“…The idea of ​​modernity alone does not achieve the meaning of good design, even if it produces new forms, but the foundations for good design are inherent in those forms, whether traditional or new.      …”
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Expressing the Robustness of Love in Ceramic Art: A Creative Approach Study by Ponimin, Guntur

“…This approach thus portrayed the representation of the solidity of love in the form of ceramic arts.…”
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The Duality of Artistic Vision and the Aesthetics of Sculpture Ceramic as an Approach to Creative Thinking by Assist.Prof. Dr/ Rania Rajab Mahmoud Hassan

“…Therefore, the search for the essence of beauty has become in the duality of form, with the elements of ceramic art, and the elements of sculpture, opacity and juxtaposition between them to elicit and blend the aesthetic values of the double vision of the sculptural ceramic form to achieve visual pleasure.The researcher believes that ceramics has become a means of expression without belonging to one field. …”

Effect of Forming Methods on the Properties of Controlled Porous Ceramics by Wafaa Abdulkhliq Al-Rawi, Hadi Salman Al-Lami

“…Differentwt.% of aluminum-zinc mixture powders were used as gas creative agent inchemical swelling method to create porosity in ceramic slurry before forming.Dried formed ceramics were fired at fourdifferent firing temperatures of (900, 1000, 1100 and 1200)°C.It was found that the forming technique has a great effect on the properties ofthe fabricated porous ceramics. …”
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Development of Ceramic Decorative Rotary Tool Technology Based on the Internet of Things as a Learning Media to Support Creative Industries by Hidayat Rahmat, Adriansyah Andi, Kurniawan Febi

“…The problem that occurs is that currently, the younger generation is less interested in creative crafts such as pottery, ceramics, and batik. …”
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CERAMIC DESIGN WORKSHOP: A CREATIVE EXPERIENCE THROUGH TERRITORIAL JEWELRY WITH THE FLOR DO BARRO GROUP, ALTO DO MOURA, CARUARU –PERNAMBUCO/BRAZIL by Camila Wedja Francisco de Melo, Jessyane Alves dos Santos, Marília Brandão da Silva Santos, Ana Carolina de Moraes Andrade Barbosa, Germannya D Garcia Araujo Silva

“… This article presents the results of the Ceramic Design workshop around the theme of territorial jewelry to promote creativity and strengthen the feeling of belonging to a collective of women from the Flor do Barro group in Alto do Moura, a suburb of the city of Caruaru, in the state of Pernambuco-Brazil. …”
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Optimization of virtual design and machining time of the mold master ceramic jewelry products with Indonesian batik motifs by B. Bawono, T. Yuniarto, C. E. P. Sanusi, S. Felasari, O. K. W. Widyanarka, P. W. Anggoro

“…Modern technology in computer-based virtual design and machining on dining plate tableware with the Batik Kawung motif is also applied in this paper to obtain a master design for ceramic jewelry prints. The design stage begins with selecting ornament patterns with creative methods to form a 3D CAD model of ceramic jewelry using artistic Art CAM. …”
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Training of specialists in decorative-applied arts: plastics of small forms of the Scythian period by Nahuliak Petro, Oros Ivan, Rudoi Vadim

“…The opinion is substantiated that in the context of attention to the creative and educational foundations of small-form ceramic sculpture, to a certain extent the Scythian ceramic sculpture can be equated and compared with a folk ceramic toy, and the learning process based on the principles of "small-form sculpture of the Scythian period" involves the main tasks of the methodological level with the course "Decorative and Applied Arts" which consist in the formation of students’ knowledge and ideas about ancient and folk arts, and the peculiarity is that the student is faced with the need to show individual creativity at all stages – from the reinterpretation of the Scythian plastic of small forms – to the figurative reproduction of acquired knowledge in a newly created product. …”
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Social agency in contemporary international ceramics by Manar Munir Mohamed, Rula Abdul-Ilah Alwan Al-Nuaimi

“…This development has contributed to the diversity of techniques and forms of expression used by potters, which has complicated the visual text of ceramic works and increased their impact on the recipient. …”
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MODELING COMPETENCE AND MODELING METHODS IN ARTISTIC CERAMICS by CARP, MARIANA

“…In the process of artistic creation, for the creation of artistic ceramics, an important objective is being achieved, which provides for the training of students in creative, artistic and pedagogical self-organization of activity based on views regarding the decorative, creative specifics, skills and competences of working with ceramic materials…”
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Balinese Puppet Style As An Idea Of Ceramic Art Creation by I Wayan Mudra, I Gede Mugi Raharja, I Nyoman Wiwana, I Wayan Sukarya

“…The partners involved in this creation are UD Tri Surya Keramik and Bali Technology Center of Creative Ceramic Industry (BTIIK). The results of the creation show several works which have been created were inspired by the forms of potteries from Bali, Lombok, and Java which are marketed in Bali, namely sangku (rice bowl) and vase with various ornaments and sizes. …”
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Application of Plant Materials to the Creation of Contemporary Ceramic Artworks by Sun Xiaoli, Suhaily S. Siti, Lai Huasheng, Shaaria Salbiyatun Abdul Rashid, Mohamed Noor Mustaqim

“…This paper expounds on the design and application types of plant materials, explores the aesthetic characteristics of flowers, fruits, branches, and leaves of plants, and then takes plant materials and ceramic materials as creative carriers for design and practice research and presents them in 2D or 3D ceramic artworks in figurative or abstract forms, using them as a kind of ceramic language to show the artistic expression of plants. …”
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Ceramic Design Culture in Kütahya and Reflections of Cultural Diversity by Yasemin Kutlay, Necla İlknur Sevinç Gökmen, Burcu Akdağ Çağlar

“…Ceramics produced in Kütahya have an important place in classical Ottoman craftsmanship since these ceramics embrace new patterns, forms, colors, and also different cultures in local ceramic art influenced by regional demands. …”
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Roberto Lugo: Critical Discussions of Hip-Hop, Ceramics, and Visual Culture by Heather Kaplan

“…Through the examination of his various forms of art-making, various discussions regarding the intersections of ceramics, hip-hop, and visual culture are explored. …”
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Historical background of wood-fired ceramics firing in cross-flow kilns by Volodymyr Khyzhynskyi, Olena Оsadcha, Leonid Nagirniak

“…This work is a comprehensive study that covers the historical, technical and creative aspects of the unique process of wood firing of ceramics. …”
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The history of the development of 3D printing technologies and their use in world artistic ceramics by Volodymyr Khyzhynskyi, Mykola Lampeka, Valerii Strilets

“…But, despite this nuance, printers that print with clay materials are called ceramic 3D printers. As 3D printing can accurately realize the creative thinking of artists and designers, 3D printing technology is increasingly used in the creation of ceramic products and contemporary ceramic works. …”
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THE LOOK OF DESIGN ON NARRATIVE CERAMICS FROM GRUPO FLOR DO BARRO - CARUARU/PE by Marília Brandão Santos, Ana Carolina Barbosa, Germannya D'Garcia Silva

“…Fruit of the ceramic tradition, since 2014, the Group Flor do Barro, formed by women artisans, meets with the common interest of visibility and recognition of their crafts. …”
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Enfoques atemporales en la cerámica de arte contemporáneo: un estudio sobre Can Gökçe = Timeless Approaches in Contemporary Art Ceramic: A Study on Can Gökçe by Dilek Alkan Özdemir

“…Ceramics are differentiated from each other over time with their materials, techniques and forms. …”
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The History and Future of Ceramic Sculpture: From Ancient Clay Figures to Modern 3D Printing by Oğuz Bozdemir

“…As a form of art that has evolved throughout history, ceramic sculpture art will persist in representing the creativity and freedom of expression of artists, enhancing the artistic experiences of individuals with the conveniences brought about by technology.…”
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