Search Results - CREATIVE TEXTILE DRAWING

Working Together: Cooperation or Collaboration? by Randi Veiteberg Kvellestad, Ingeborg Stana, Gunhild Vatn

“…As a test case, we focused on the Working Together action-research project in design education for specialised teacher training in design, arts, and crafts at the Oslo Metropolitan University, which included three student groups in the material areas of drawing, ceramics, and textiles. The project developed the participants’ patience, manual skills, creativity, and abilities, which are important personal qualities for design education and innovation and represent cornerstones in almost every design literacy and business environment. …”
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From Waste to Art: A Study on Student Creativity and Creative Expression through Recycled Materials in Art Education by Sara Çebi

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‘Empathic unsettlement’: trauma as spectre in contemporary textile art by Beata Batorowicz, Jane Palmer

“…We argue that when autobiographical trauma art involves craft practices, such as working with textiles, the relationships between history, the artist, the artwork, and the viewer become particularly strong. …”
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Recognizing the City's Historical Potential Through Drawing Group Activities in Majalaya, Bandung Regency by Diani Apsari, Nisa Eka Nastiti, Patra Aditia

“…Majalaya has potential in terms of a creative ecosystem that needs to be developed. From the results of preliminary research that has been done before, this creative ecosystem includes the potential of art-culture, culinary, textiles and history. …”
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Design of Printed Textile Hangings between Material and Anthology of Design Structure by Dalia Bakr

“…The process of combining more than one technology for textile printing technology with methods of direct drawing with dyes on fabrics, which are sometimes called “Action Painting” to add a special aesthetic sense to the design, in addition to the use of open silk screen (not coated with photo sensitive emulsion) and drawing on it with isolating materials to create artistic forms that enriche the design thought.…”
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Mondrians morphology reflection and its effect on plastic formulations textile hangings. by Assist.Prof.Dr /Asmaa Mohamed Mahmoud khatab

“…What the researcher seeks in this research is to direct students to study the morphology of Mondrian's artwork, to draw ideas from them to create (innovative) textile hangings in aspects of the method of formation and the colors used, and to come up with a new textile work in form and content. …”

Modern Formulations for the Printed Textile Hangings through the Application of Digital Painting Technique by Aya Ahmed Abd-El Fattah, Naglaa El Wakil, Shimaa Abdulaziz

“…Digital painting is one of the modern technologies which It can be adopted in the design of textile printed hangings, Design is no longer tied to traditional methods and techniques such as brushes and colors but the designer can bypass this with this modern technology and digital painting cannot replace traditional painting but it helps enrich the ways of drawing elements and ways of coloring in the design, It represents a balanced relationship between modern technology and design to provide the best solutions, and the digital painting tablets is a clean and tidy work environment for the designer and artist It provides them with all the capabilities they need to reach them goals so, it opens up more space for creativity. …”
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Creative digipreneurs: Artistic entrepreneurial practices in platform-mediated space by Alica Repenning, Anna Oechslen

“…Drawing on interviews and online observations, the study traces the work practices of two creative producers, a textile designer in Berlin, Germany, and a filmmaker in Bengaluru, India, who both extensively use the social media platform Instagram for their work. …”
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A review of 3D design knowledge and its impact on creativity in fashion design education by Evridiki Papahristou, Nefeli Zolota Tatsi

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L’art d’entremêler : une problématique du temps by Marc Bayard, Marie-Hélène Dali-Bersani, Pierre Frey, Sophie Mallebranche

“…The contributions of three very different individuals engaged in contemporary textile creation in the field of the decorative arts enable us to demonstrate here that heritage is key to the creative process. …”
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ADVANCED SHADING TECHNIQUES IN ARAHWEAVE by ARNĂUTU Irina

“…Specifically optimized for designing and weaving Dobby and Jacquard woven fabrics, ArahWeave software exemplifies how digital technology is reshaping the creative process in the textile industry. The advanced simulation tools of ArahWeave facilitate a highly realistic preview of how seamless pattern will appear when woven into fabric. …”
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Embodied Objects: Chūjōhime’s Hair Embroideries and the Transformation of the Female Body in Premodern Japan by Carolyn Wargula

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From Princess to Punk: Digitisation in the Fashion Studio by Amy Robinson

“… The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. …”
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From Princess to Punk: Digitisation in the Fashion Studio by Amy Robinson

“… The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. …”
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From Princess to Punk: Digitisation in the Fashion Studio by Amy Robinson

“… The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. …”
Get full text

From Princess to Punk: Digitisation in the Fashion Studio by Amy Robinson

“… The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. …”
Get full text

From Princess to Punk: Digitisation in the Fashion Studio by Amy Robinson

“… The Zandra Rhodes Digital Study Collection project was a unique collaborative venture between staff and students at the University for the Creative Arts (UCA) and their Chancellor, the British fashion and textile designer Zandra Rhodes. …”
Get full text

Transformational leadership and radical innovation for sustainability: mediating role of knowledge management capability and moderating role of competitive intensity by Md. Nurun Nabi, Liu Zhiqiang, Marium Akter

“…Purpose – Drawing on the transformational leadership (TL) and knowledge-based view (KBV) theory, the present study investigates the impact of TL on radical innovation (RI) through the mediation of knowledge management capabilities (KMCs) and moderation of competitive intensity (CI) of textile and apparel industries with an Asian context. …”
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Making (Slowly) as Method: Piecing, Stitching and Steeping Metaphors for Multiple Methodologies by Laura Pottinger

“…Based on early findings from an extended research project exploring the practice of natural textile dyeing in the UK, I offer a range of textile processes for thinking through the creative dimensions of the doing of methodological work. …”
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Creatività e Cultura. Patrimoni nascosti nel settore tessile manifatturiero by Paola Maddaluno

“…If we were to enter this discussion, which involves scholars of various extraction, we could say that fashion, whilst expressing the productive side of the textile and clothing sector, is “a creative and cultural industry of its own kind”. …”
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