Search Results - DIEGETIC SOUND

The Interplay of Silence, Diegetic Sound and Music in Contemporary German Cinema by Aljoša Zovko

Subjects: “…diegetic sound…”
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Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel by Estrella Sendra

“…Caramel thus serves as an excellent case study of the possibilities of sound in film, and of film as sound art.…”
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Sentimental Education. Sound and Silence at History Museums by Steffi de Jong

“…They are used both to transmit historical knowledge in a sensorial way and to affectively engage visitors. Diegetic sounds thereby generally serve the transmission of historical knowledge, whereas non-diegetic sounds are used as affective triggers. …”
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Semiotic Aspects of Sound and Music in Science-fiction Films by Traian Penciuc

“…The development of sound playback technology has changed the way sound is used in the structure of the film. …”
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Sound effects as a genre-defining factor in submarine films by Linda Maria Koldau

“…The article presents the sound effects most specific to submarine films and discusses the creative potential they offer both as diegetic sounds bound to submarine existence and as emotive cues with an immediate effect on the audience.…”
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Sound and Perception in Ridley Scott’s <i>Blade Runner</i> (1982) by Audrey Scotto le Massese

“…Ambient sounds create a concrete, sonically dense diegetic world, while music is associated with an abstract, extra-diegetic world where spectators are designated judges. …”
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Dźwięki reaktywne, dźwięki antycypujące. Z zagadnień funkcjonowania ścieżki dźwiękowej w grach wideo by Joanna Pigulak

“…The first part of the paper deals with a brief introduction concerning the characteristic of two important aspects of video games’ sounds: reactive and anticipating sounds. In the second part of the paper, the author explores the issue of facultative dialogues and adaptive sounds, as well as diegetic and non-diegetic sources of sound. …”
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Genhør med dogme 95 [Dogme 95 reheard] by Palle Schantz Lauridsen

“…Assuming that the 10 Danish Dogma films can be considered genre films, the article analyses the use of sound and music in these films. The “Vow of Chastity” proposed by the Dogma directors specifies that sound and image must never be produced separately, and the article presents elements of productions practice as well as aesthetic considerations. …”
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“He Has Music in Him”: Musical Moments, Dance and Corporeality in Joker (2019) by Jessica Shine

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From Lugos to Hollywood: Bela Lugosi’s transnational persona and the aural construction of Dracula in Tod Browning’s Dracula (1931) by Gabriela Hluscu, Marius-Mircea Crișan

“…Through close analysis of Lugosi’s voice, used with deliberate, hypnotic cadence in an English language with a Hungarian accent, and theatrical physicality, paired with the use of silence, diegetic sound, and Tchaikowsky’s Swan Lake motif, this study interrogates how auditory aesthetics and Lugosi’s embodiment of foreignness converged to craft Dracula’s enduring legacy. …”
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L’univers sonore de Sredni Vashtar (Andrew Birkin, 1981) by Sophie Mantrant

“…The piece interacts with diegetic sounds to create a complex web of echoes and dissonances. …”
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Hearing Written Magic in Harry Potter Films: Insights into Power and Truth in the Scoring for In-World Written Words by Jamie Lynn Webster

“…Using a close analysis of selected scenes to examine layers of utterances, diegetic sounds, underscore, and sound design, this study draws on metaphor theory and adaptation theory to examine how sound design gives writing a metaphorical voice, sometimes framing it as character, landscape, or moral authority. …”
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El silencio del monstruo: imagénes espectrales en el cine de terror americano de comienzos del sonoro / Silence of the Monster. Ghostly Images in American Horror Film at the Beginn... by Roberto Cueto

“…As films produced in the transitional period from silent to sound film, both showcase special features that distinguished them from posterior horror films in Hollywood: the introduction of the monstrosity without extra-diegetic music or sound effects generated the appearance of certain «holes of silence» in the film narrative. …”
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The Call of the Beyond: Music in Antonioni’s Red Desert by Frolova-Walker Marina

“…Close examination reveals Antonioni’s subtle and ambiguous play with the diegetic or non-diegetic role of his music. At the same time, he retains a sound-effects score that begins to take on musical properties, and which also has a significant function in elucidating the narrative. …”
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Creating Audio Object-Focused Acoustic Environments for Room-Scale Virtual Reality by Constantin Popp, Damian T. Murphy

“…Written from a sound designer’s perspective, the paper addresses these issues by proposing a musically inclusive novel methodology that reimagines an acoustic environment predominately using objects that are governed by multimodal rule-based systems and spatialized in six degrees of freedom using 3D binaural audio exclusively while minimizing the use of Ambisonic beds and non-diegetic music. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

“…However, an analysis of the soundtrack of various adaptations reveals an often original interpretation of the text. The resources of the sound effects library as well as the exploitation of certain techniques associated with the soundtrack (voiceover, diegetic and extra-diegetic music, etc.) allow filmmakers to put their own stamp on their adaptations.…”
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Bez obrazu, czyli seriale audio. Problematyka kreacji świata przedstawionego i jego recepcji by Agnieszka Ogonowska

“…The analysis also takes into account the role of diegetic and non-diegetic sounds in creating the imaginary world and controlling the recipient’s expectations, as well as the processes of understanding and interpreting (or analyzing) the audio series. …”
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D’autres mondes pour d’autres musiques : les dimensions sonores parallèles de The OA (Partie 01) by Jérémy Michot

“…On the other hand, showing music and other diegetic sound effects appearing at the heart of the plot, as territories embodied by sound.…”
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The urban soundscape in sci-fi cinema by Alejandro Contreras Koob, Albina Boyarkina

“…Hyperrealistic sound becomes a typical example of the application of sound design, in which diegetic synchronous noises are enriched with nondiegetic timbres that introduce an additional semantic load. …”
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The impact of data sonification in virtual reality robot teleoperation by Paul Bremner, Thomas J. Mitchell, Thomas J. Mitchell, Verity McIntosh, Verity McIntosh

“…Our findings show that the diegetic sounds decrease workload, whereas abstract sounds increase workload, and are more stressful. …”
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