Search Results - FEATURE FILM

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    Statistical Skimming of Feature Films by Sergio Benini, Pierangelo Migliorati, Riccardo Leonardi

    “…We present a statistical framework based on Hidden Markov Models (HMMs) for skimming feature films. A chain of HMMs is used to model subsequent story units: HMM states represent different visual-concepts, transitions model the temporal dependencies in each story unit, and stochastic observations are given by single shots. …”
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    On the Poetic Features in Jia Zhangke’s Films by Zhao Hong

    Published in Contemporary Social Sciences (2019-03-01)
    “…At the same time, the themes of his works reflect the tradition of "poetry as an expression of aspirations" from the perspective of the fates of ordinary people in this era of change, allowing the audience to feel the poet’s "aspirations." His films also show poetic features in terms of composition, lens, language and music. …”
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    Artistic treatment of animation scenes in feature films by Anwar Abed Shati

    Published in الاكاديمي (2024-03-01)
    “…In the form of an animation, for example, imagining an animal and controlling its actions and reactions within the feature film or a specific accessory. Hence, the creator of the work must find artistic treatments within the work, as the researcher began with the research problem that ended with the following question: (How to achieve artistic treatment of the animated scenes in the film novelist?)…”
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    The revisitation of landscape in Manuel Guimarães’ feature films by Tiago Vieira da Silva

    “…</p><p><em>The revisitation of the landscape in Manuel Guimarães’ feature films</em> seeks to analyse the way in which the filmmaker recodifies  landscape in an attempt to counter the utopia established by the regime.…”
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    Dramatic Structure Transformations in the Iraqi Feature Film by Ban Jabbar Khalaf

    Published in الاكاديمي (2019-12-01)
    “…The research topic (The dramatic structure transformations in the Iraqi Feature Film) studies the dramatic structure and its transformations in the Iraqi feature film. …”
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    Formal Features Of Image Construction In Ghost Films by Asia Ali Mahmood

    Published in الاكاديمي (2024-12-01)
    “…The most important conclusions of the study: The continued production and follow-up of ghost films reflects the fact that this genre has its own formal and structural features, in addition to the continued interest of societies in the supernatural. …”
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    Artistic layout and methods of using technology in the feature film by Abdel Nasser Mustafa Ibrahim

    Published in الاكاديمي (2024-09-01)
    “…The first topics are the artistic style as a marking system in the feature film, the second is methods for using the artistic style in the feature film, the third is the methods of using technology in the feature film, the third chapter is the research tool, the researcher followed the descriptive and analytical method, and the fourth chapter is the results and conclusions, among which technology contributes to expanding the circle of searching for new things. …”
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    Features of obtaining and properties of thin films organic semiconductors by B. Tsizh, Z. Dziamski

    “…In recent decades, thin films of organic semiconductors (OS), or, as they are also called, organic molecular crystals, have attracted special attention in connection with a number of proposals for their use in functional units of modern electronics, and therefore in modern technological equipment. …”
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    Political and Ideological Focus of Croatian Feature Films in the 1990s by Marija Živković

    Published in Pannoniana (2023-12-01)
    “…The paper provides an overview of glaring examples of the political and ideological focus of Croatian feature films from the beginning to the end of the 1990s, especially regarding their contextual, thematic, and stylistic features. …”
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    Semantic representation of anarchist thought in contemporary feature films by Semaa samer abbas

    Published in الاكاديمي (2025-08-01)
    “…The second was titled (The Structure of the Contemporary Narrative Film). In it, the researcher discussed the concept of the contemporary film and its most important features and characteristics, and mentioned the most important contemporary narrative films that made a shift in its approach to narrative and film form. …”
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    Not New: Images of Women in Soviet Feature Films of the 1920s. by Vorobyeva, M.V., Kochukhova, E.S.

    Published in Дискурс Пи (2023-11-01)
    “…The main and secondary heroines of 14 feature films are analyzed (the sample includes films on urban life in the USSR, shot by studios of Russian-speaking republics). …”
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    Structural Features of Film Narrative in Chaplin’s Early Comedies by Kolotaev Vladimir A., Ulybina Elena V.

    “…Almost from the first independent works, Chaplin uses the theatrical technique of the quirky quo, the confusion that arose as a result of erroneous recognition, both to achieve a comic effect and for the tasks of film narration, in order to show the main feature of his hero — this is a person who always finds himself out of place, not having an identity. …”
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