Search Results - FILM PRODUCTION INDUSTRIAL PROJECT

Management Structure in the Film Industry by Anastasiia Mykhailiukova, Maryna Antonivska

“…The purpose of the article is to identify the stages of contemporary film production organisation, determine the sequence of processes for creating a film product, analyse employees’ functions in the field of cinema, and substantiate a typical scheme of a film project organisational structure. …”
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Production Activity Essence and Producer’s Role in the Field of Project Management in the Creative Industries by Mariia Proskurina, Veronika Nikitina

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Project-Based Learning at Dracula Digital: A Comparative Perspective from Romania and Brunei by Mayyer Ling, Yong Liu, Florin Nechita

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The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s by Pavel Skopal

“…But the process of “normalisation” that took place after the August 1968 Warsaw Pact invasion of Czechoslovakia put both the regimes and the film industry structures back in sync. While the end of independent production groups at DEFA and Barrandov damaged the creative environment and the quality of productions as a whole, it also had an unforeseeable effect: the revival of DEFA-Barrandov co-productions. …”
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Higher-Institution-Based Film Festivals as a Vehicle to Improve Student Production Quality and Form University–Industry Connections by Yong Liu, Mayyer Ling, Florin Nechita

“…This paper will be focusing on discussions on how to use small-scale, higher-institution-based film festivals (including film competitions) as a vehicle to motivate students who are majoring in media and screen production to improve their production quality for both module assignments and competition-targeted special projects. …”
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Problems of obtaining state support for a film creation project by Yu. V. Vorontsova

“…Therefore, the purpose of the study is to analyze the problems of obtaining state funding when creating a film project. The article is relevant due to the strong long-term interaction of the state and film production industry. …”
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Ghost in the (Hollywood) machine: Emergent applications of artificial intelligence in the film industry by Pei-Sze Chow

“…This article examines the nascence of artificial intelligence (AI) applications in the film industry at the greenlighting stage, where decisions are made as to the feasibility and earning potential of film projects. …”
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THE SPECIAL PROJECT REVERSE ENGINEERING STUDY OF RADIOELECTRONIC PRODUCTS by M. S. Kostin, D. S. Vorunichev

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Strategic Orientation of Film Organization Development in the Digital Age by E. Yu. Kolobova

“…The development of the film industry is inextricably linked with technological changes. …”
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Innovative Entrepreneurship through Creative Outputs for Emerging Filmmakers in South Africa: A Conceptual Framework by Robin Gengan

“…The functional relationship equation identifies four key characteristics (vision, collaboration, adaptability, and emotional intelligence) that distinguish a creative leader in the local film industry from other forms of leadership. Both the conceptual framework and the functional relationship equation set innovative and structural foundations and form creative outputs for emerging filmmakers, local independent film productions, and future academic studies. …”
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The Uncertainty War: Applying Entrepreneurial Practices to Microbudgeting for Short Films by Sergio Salazar Cavazos

“…By implementing entrepreneurial practices in short film production, filmmakers can fight uncertainty while working at micro-budget level in Europe. …”
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Derrière l’écran, les négociations collectives dans le cinéma (1975-2020) by Samuel Zarka

“…This paradox leads us to question the function of legal benchmarks set at the branch level in a project-based industry. To this end, we look back at the way in which actors in industrial relations have invested this level of collective bargaining in recent decades, the framing of the activity that has resulted from it and the reasons for its stability in the course of contemporary productive recompositions.…”
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‘Sorry mate, you're finishing tonight’: a historical perspective on employment flexibility in the UK film industry by Will Atkinson, Keith Randle

“…The article argues that the UK film industry has never been a stable, ‘job-for-life’ sector, nor have its labour processes ever followed mass production lines. …”
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Film beyond boundaries: film, migrant narratives and other media Film beyond boundaries: film, migrant narratives and other media by Anelise Reich Corseuil

“…Gatti argues that in spite of all critiques of Carmen Miranda's alleged manipulation by the Hollywood industry, she was the “auteur of her own persona”, as a sort of “multiauthor” capable of adapting her own needs and personal/political projects to the agenda imposed by the film industry. …”
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Teaching virtual production: the challenges of developing a formal curriculum

“…The complex demands of new, multidisciplinary job roles in virtual production have created a skills shortage in the UK film and television industry. …”
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Spanish tourist industry during the Franco’s regime through the touristic cinema (1951-1977) by Gorka Zamarreño-Aramendia, Elena Cruz-Ruiz, Elena Ruiz-Romero de la Cruz

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The Image of the US Army in American movies: The Soft Power of American Cinema by Yuliana Melkumyan, Nvard Melkonyan, Sofi Javadyan

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Dancing in the sun: The musical as touristic hook in ‘Honeymoon’ by Lidia Merás, Sarah Wright

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FÓRUM - CIDADE DE DEUS E JANELA DA ALMA: UM ESTUDO SOBRE A CADEIA PRODUTIVA DO CINEMA BRASILEIRO by João Paulo Matta Rodrigues, Elisabeth Loiola

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Finite Element Analysis of An Evaporation System to Synthesize Kesterite thin Films by Carlos Eduardo Rondón Almeyda, Monica Botero, Rogelio Ospina

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