Search Results - FILM NARRATIVE

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    Film beyond boundaries: film, migrant narratives and other media Film beyond boundaries: film, migrant narratives and other media by Anelise Reich Corseuil

    Published in Ilha do Desterro (2008-04-01)
    “…The articles here presented are representative of the debates about the various transformational aspects of film studies, fostering the discussion about the transformations and interactions between national and international narrative forms, the interrelations between film and literature, and film with other media. …”
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    The structure of the alienated character in the narrative film by Salih Ali Alsahan

    Published in الاكاديمي (2025-06-01)
    “…The importance of the research also lies in the feasibility of employing the structure of the alienated character in the narrative film and the extents that this character can reach. …”
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    Hap-Tech Narration and the Postphenomenological Film by Daniel Paul O’Brien

    Published in Philosophies (2019-08-01)
    “…Using Ihde&#8217;s postphenomenological understanding of human&#8722;technology relationships (which this work explores in detail), I consider a range of narrative films that utilise POV camerawork, including: Delmer Daves&#8217; <i>Dark Passage</i> (1947), Michael Powell&#8217;s <i>Peeping Tom</i> (1960) and Julian Schnabel&#8217;s <i>Le Scaphandre et le Papillon</i> (<i>The Diving Bell and Butterfly</i>, 2007). …”
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    The Fiction in Non-Fiction Film by Carlos Ruiz Carmona

    Published in La Revista Icono 14 (2019-07-01)
    “…Over the past few decades film theory, major scholars and acclaimed filmmakers have established that documentary just like fiction must resort to ambiguous and subjective rhetorical figures in order to represent the world. …”
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    The irony in the narrative film director Pedro Almodovar by Mohammad Akram Abd ul Jalil

    Published in الاكاديمي (2016-02-01)
    “…It has become a cinema nowadays splash force to be reckoned with , have been accompanied by scientific and technical progress in human societies .It provides the basics that have become a vital part of the life of cultured human has launched a researcher from the principle of recognition and look at the experiences of the creators of the various nationalities in the jurisdiction to be of help to us in establishing the rules of aesthetic and technical fit with what we aspire to in the upgrading process artistic creativity in the new Iraq and deeper insights into the experiences of the creators of them in this research will address the researcher experience film has been characterized Ntegath excellence in terms of intellectual , aesthetic and creative in the field of filmmaking spanning more than twenty years of Spanish director Pedro Almodovar to respond to document and study the experience of the creator is not the process easy as it seems to get tender Finished this artist diversified in the field of cinema , so it may felt researcher is seen through and see the creations of art in the field of output and that touches study an important aspect characterized the director's not an element irony that characterized an important part of its business and in light of the availability of the researcher of sources this will be accomplished scientific research for narrative irony in the films of Pedro Almodovar, the Spanish director…”
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    Narrative Transportation as a Factor in the Psychological Impact of Films by T.A. Kubrak, A.A. Starostina

    “…The empirical study conducted on 1171 university students aged 17 to 29 years (49.3% men and 50.7% women; M=19.8, SD=1.9) showed that the level of narrative transportation differs depending on gender, which may be due to the greater proximity of a particular film to a certain audience. …”
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    Narrative and Intermedial Functions of Sound in the Films of Fritz Lang by Nikita Samsonov

    Published in Enthymema (2025-03-01)
    “… This paper examines the role of sound as a narrative device in the films of Austrian-American director Fritz Lang. …”
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    Structural Features of Film Narrative in Chaplin’s Early Comedies by Kolotaev Vladimir A., Ulybina Elena V.

    “…The article studies the original way of an action developing, building a narrative in the early films of Charlie Chaplin. Compared to traditional models of film narration in which there is a trajectory of the main character moving through the spatial boundaries of the worlds with a series of trials, losses / gains, and the final return of the renewed hero, the great comedian develops and implements a structure based on the character’s ability to annihilate when he enters an unusual world for him meanings and rules on which the familiar world of other characters, ordinary people, is based. …”
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