نتائج البحث - FUNDAMENTAL PAINTING

Topos of inexpressible: Contribution to fundamental assumptions underlying the painting-language relationship حسب Bučan Jagor

"…The paper analyses some of the fundamental assumptions about understanding the painter's work. …"
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Dynamism as a Fundamental Verb in the Work of the Abstract Expressionist School in Contemporary Painting حسب Ghosoun Abdullah Aleaydan

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Painted playgrounds for preschoolers’ physical activity and fundamental motor skill improvement: a randomized controlled pilot trial of effectiveness حسب E. Kipling Webster, Maura M. Kepper, Sanjoy Saha, Robbie A. Beyl, Chelsea L. Kracht, Jessica St. Romain, Amanda E. Staiano

"…Abstract Background Preschool children are not meeting recommended levels of physical activity (PA) nor are they proficient in fundamental motor skills (FMS), which are the foundation for PA. …"
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The impact of Arabic school Manuscripts Paintings on Timurid school one's as the fundamental source of both concept of composition and visual elements development حسب Hany Mohamed Mohamed Sabry

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Analytical approach and graphic reconstruction as a fundamental element in educational drawing for the training of restoration architects حسب Yurkevich Vasilina M.

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O USO DO TUX PAINT COMO FERRAMENTA DE ENSINO E APRENDIZAGEM NAS SÉRIES INICIAIS DO ENSINO FUNDAMENTAL حسب Maria do Perpétuo Socorro Torres da Silva, Francialan Souza dos Santos, Iracema Ramos Martins, Hudinilson Kendy de Lima Yamaguchi

"…O objetivo desse artigo é utilizar o Tux Paint como ferramenta de ensino e aprendizagem para os alunos do primeiro ano do Ensino Fundamental de uma escola da rede pública na cidade de Coari-Amazonas. …"
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On the investigation of the relationship between imagination and wonder painting in Iranian-Islamic painting حسب Seyed Mohammad Taheri Qomi

"…Research Method: The present study is of a fundamental type and has been prepared by reviewing previous researches in the field of history, literature, cultural studies and history of Iranian painting with reference to historical studies and descriptive and analytical methods, taken from library and electronic resources. …"
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Artistic conventionality in painting حسب Basanets Luka, Maslova Tetiana

"…Article addresses the theoretical meaning of artistic conventionality. Its fundamental role in painting is undeniable and is to be not only familiarised with, but also studied thoroughly. …"
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Sacred Symbols in Dimitrie Gavrilean’s Paintings حسب Emilian Adrian Gavrilean

"…It mirrors the utmost of the autochthonous rural imaginary, the Romanian fundamental myths, the ancestral myths as well as the recently Christianized ones. …"
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Structuralist readings: Painting vs. picture حسب Marinkov-Pavlović Lidija

"…The aim of the paper is to point to two fundamentally different strategies of painting practice, that is, to two subsystems of painting: picture and painting. …"
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Back to Basics: Rembrandt and the Emergence of Modern Painting حسب Mariët Westermann

"…New research on Rembrandt’s approach to the female nude and on his pupil Samuel van Hoogstraten, who also wrote about painting, shows that his stubborn commitment to painting whose visual and emotional lifelikeness rendered it persuasive emerged in dialogue with European thought about art and rhetoric. …"
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The Romantic Metaphysics of Surrealist art in contemporary painting حسب Nadia Wahdan Ahmed Ibrahim

"…This research aims to uncover the manifestations of romantic metaphysics in the art of surrealism and aims to study the possibility of benefiting from the relationship between romantic metaphysics and surrealist fiction in enriching contemporary painting, as well as monitoring the sensual and aesthetic values of the romantic imagination, which shares in its essence between surrealism and romance.keywords:Metaphysics - Romance - Surrealism -Contemporary Painting…"
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Multi‐style Chinese art painting generation of flowers حسب Feifei Fu, Jiancheng Lv, Chenwei Tang, Mao Li

"…Meanwhile, many works related to the generation of painting art have also been derived. However, due to the difficulty of data collection and the fundamental challenge from freehand expressions, the generation of traditional Chinese painting is still far from being perfect. …"
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Multidisciplinary approach to the study of large-format oil paintings حسب P. Calderón-Mesén, D. Jaikel-Víquez, M. D. Barrantes-Madrigal, J. Sánchez-Solís, J. P. Mena-Vega, J. Arguedas-Molina, K. Ureña-Alvarado, G. Maynard-Hernández, L. Santamaría-Montero, M. Cob-Delgado, E. Angulo-Pardo, Felipe Vallejo, M. I. Sandoval, A. M. Durán-Quesada, M. Redondo-Solano, O. A. Herrera-Sancho

"…Furthermore, it provides fundamental information about specific temporary spaces, materials’ availability, technology, artist’s intention, and site weather conditions. …"
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A Criteria for Evaluating the Microbiological Contamination of Acrylic Paints حسب V. Piemonte, M. Capocelli, F. Tortora, M. Prisciandaro

"…The acrylic paint can be contaminated by bacteria (and rarely fungi), due to the presence of microbiological residuals on the container, that are responsible for the degradation of the paint chemical and physical characteristics. …"
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Non-destructive tests on eco-friendly anti-corrosion paint حسب H. M. Hajar, N. Ismail, F. Zulkifli, M.G.M. Sabri, W. B. Wan Nik

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A virtual story in the Velimir Ilišević's painting Povratak II حسب Jungić Željka

"…Framing borders and framing, polychronic narration, and contradictory narratives represent some of the fundamental research tools for interpreting the virtual world. …"
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Parodies of Pleasure: Remedios Varo’s Queer Surrealism in Narrative and Painting حسب Kathryn A Everly

"…Humor and parody are fundamental links between Varo’s narrative and paintings. …"
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Laser-Painted Cavity-Mediated Interactions in a Quantum Gas حسب Mariano Bonifacio, Francesco Piazza, Tobias Donner

"…Here, we propose an experimental scheme employing laser-painted cavity-mediated interactions, which enables the realization of atom-atom interactions that are fully tunable in range, shape, and sign. …"
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From Pigments to Pixels: A Comparison of Human and AI Painting حسب Yikang Sun, Cheng-Hsiang Yang, Yanru Lyu, Rungtai Lin

"…Although the use of neural networks simulating human learning has come a long way in narrowing the gap between paintings produced by AI and those produced in the traditional fashion, there remains a fundamental difference in terms of aesthetic appreciation since paintings generated by AI are based on technology, while those produced by humans are based on emotion.…"
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