Search Results - HISTORY OF COSTUMES

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    Unpublished research by Kateryna Lazarevska on history of Ukrainian costume of 17th-19th centuries by Koval Tetiana

    “…To study Kateryna Lazarevska’s unpublished work on the history of Ukrainian costume of the 17th and 19th centuries, which is kept in the collection of the Institute of Manuscript of the V.I. …”
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    Re-creating history and recreating publics: the success and failure of recent Ottoman costume dramas in Turkish media. by Josh Carney

    Published in European Journal of Turkish Studies (2014-12-01)
    “…The popular Ottoman costume drama Magnificent Century [Muhteşem Yüzyıl] was controversial from the outset, with domestic (Turkish) detractors suggesting that it falsified history and mocked Ottoman heritage. …”
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    Tatar costume in museum collections of Russia by Svetlana V. Suslova

    “…When using the synchronous-diachronic methods of comparative historical analysis, museum artifacts considerably contribute to the study of the history of the Tatar costume, which largely reflects the ethno- and cultural genesis of the people as a whole.…”
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    VOLYN ETHNIC COSTUME IN SHAPING UKRAINIAN FASHION by Olena Vynokur

    “…The scientific works devoted to the history, sociology, history of the art of the Volyn costume and the design of a modern Ukrainian costume are considered. …”
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    HISTORICAL CONDITIONS FOR BASHKIR COSTUME COMPLEXES TRADITIONS by A. S. Kamalieva

    “…Traditional Bashkir costume has so far been researched by representatives of various fields of science: history, philosophy, art history, technology. …”
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    RESEARCH ON THE TRADITIONAL CROCHETING TECHNIQUE IN THE MOLDOVAN COSTUME by FLOREA-BURDUJA Elena, CANGAȘ Svetlana

    “…Folk songs, customs, traditions, national costumes are part of our history. They are priceless treasures that define us as nation. …”
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    HIGHLIGHTS OF THE REPRESENTATION COSTUME IN PICTORIAL ART- BAROQUE STYLE - by URDEA Olimpia

    “…The way of artistically representing the body, the clothed body, has followed the path of various artistic movements that marked art history. In the act of interpersonal perception, the costume establishes itself as a particular field of non-verbal communication, one based on image. …”
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    ‘Confluence of Costume, Cartography and Early Modern European Chorography’ by Michelle Moseley-Christian

    Published in Journal of Art Historiography (2013-12-01)
    “…Chorography appeared in early modern Europe as a broad strategy for world knowledge-seeking that gestured not only to physical descriptions of place, but combined for the first time in formal discourse, maps, costume descriptions, histories, chronologies and a host of other descriptors that aimed to frame an identity of place. …”
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    Folk costume traditions in the modern culture of the Volga-Ural Tatars by Svetlana V. Suslova

    “…In the pre-national period of the Tatar’s history there were many various local, ethno-confessional and other complexes of costume. …”
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