Search Results - PAINTING GLAZING

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    Organic Materials Used for Giant Buddhas and Wall Paintings in Bamiyan, Afghanistan by Yoko Taniguchi, Kazuki Kawahara, Miho Takashima, Marine Cotte, Joy Mazurek, Yuki Kumazawa, Yuki Taga, Takashi Nakazawa

    Published in Applied Sciences (2022-09-01)
    “…Studies on samples from these cultural heritage objects have shown that each is composed of a polychromatic multilayered structure with sizing layers, ground layers, painted layers, and glaze. The carefully produced complex multilayered structures were examined using optical microscopy (visible and UV light) as well as synchrotron-based infrared microscopy, both of which revealed various organic and inorganic components in each layer. …”
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    The use of ground glass in red glazes: structural 3D imaging and mechanical behaviour using optical coherence tomography and nanoindentation by Mitra Almasian, Mathilde Tiennot, Lionel D. Fiske, Erma Hermens

    Published in Heritage Science (2021-06-01)
    “…Abstract In this study we investigate the impact of the addition of colourless glass particles to red glazes, as seen in many 15th-17th-century easel paintings. …”
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    Bird and human-bird motifs in the glazed pottery of Raqqa by zahra ghasemi, maryam ghasemi

    Published in پیکره (2020-08-01)
    “…Choosing the bird and human-bird motifs, the present article attempts to study the characteristics of these motifs in Raqqa glazed wares as a manifestation of the culture and art of the Ayyubid period. …”
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    Gothic green glazed tile from Malbork Castle: multi-analytical study by Sylwia Svorová Pawełkowicz, Dana Rohanová, Petr Svora

    Published in Heritage Science (2017-07-01)
    “…We found that what was originally thought to be a paint layer was in fact a heavily deteriorated SiO2–PbO glaze. …”
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    Oil painting tiles with motifs In the building of Shams-Ol-Emareh by maryam kian asl

    Published in Dānishhā-yi būmī-i Īrān (2023-03-01)
    “…Its construction and decorations are influenced by the trend towards western art It has been in Iran. Since oil painting was often used on textured surfaces, the application of this method on glazed tiles had not been done until then. …”
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    Cyrene<sup>™</sup>, a Sustainable Solution for Graffiti Paint Removal by Roxana A. Milescu, Thomas J. Farmer, James Sherwood, Con R. McElroy, James H. Clark

    Published in Sustainable Chemistry (2023-03-01)
    “…Cyrene, however, showed good removability of graffiti paint from both glazed and porous substrates, with little paint remaining in the pores of ceramic tiles. …”
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    Effect of staining on the mechanical, surface and biological properties of lithium disilicate by Aline Serrado de Pinho Barcellos, Jean Soares Miranda, Marina Amaral, Janaína Araújo Alvarenga, Lafayette Nogueira, Estevão Tomomitsu Kimpara

    Published in Saudi Dental Journal (2022-02-01)
    “…Purpose: To simulate biodegradation and wear of stained and glazed CAD lithium disilicate ceramic, and evaluate their effects on the microbial adherence and mechanical and surface properties of lithium disilicate ceramic Materials and methods: 160 lithium disilicate ceramic discs were fabricated and divided in eight groups according to manual stain and glaze application with a fine paint brush (without stain and glaze; with stain and glaze) and aging procedures (no aging; wear at 30 N load, 1.7 Hz, 3 × 105 cycles; biodegradation by exposure to microcosm biofilm; biodegradation + wear; biodegradation + wear). …”
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    Release of lead from Renaissance lead-glazed ceramics from southern Denmark and northern Germany: implications from acetic acid etching experiments by Kaare Lund Rasmussen, George R. Milner, Thomas Delbey, Lisa Kathrine Ivalu Jensen, Frauke Witte, Thilo Rehren, Ulla Kjaer, Poul Grinder-Hansen

    Published in Heritage Science (2022-05-01)
    “…While exposure could have come from various sources other than lead-glazed ceramics, such as cosmetics, paint, antibacterial ointments, and lead water pipes, widely distributed lead-glazed ceramics had the potential of being a main source of Pb. …”
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    Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry by Philippe Colomban, Burcu Kırmızı, Bing Zhao, Jean-Baptiste Clais, Yong Yang, Vincent Droguet

    Published in Heritage (2020-08-01)
    “…A selection of 15 Chinese painted enameled porcelains from the 18th century (Qing dynasty) was analyzed on-site by mobile Raman and XRF microspectroscopy. …”
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    Non-Invasive On-Site pXRF Analysis of Coloring Agents, Marks and Enamels of Qing Imperial and Non-Imperial Porcelain by Philippe Colomban, Gulsu Simsek Franci, Jacques Burlot, Xavier Gallet, Bing Zhao, Jean-Baptiste Clais

    Published in Ceramics (2023-02-01)
    “…On-site pXRF analysis in various French collections (Musée du Louvre, Musée national des Arts asiatiques-Guimet, Paris) of porcelains decorated with painted enamels from the Qing Dynasty, in particular porcelains bearing an imperial mark, identifies the types of enamels/glazes, the ions and coloring phases or the opacifier. …”
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    Up-Converting Lanthanide-Doped YAG Nanospheres by Marta Vallés-Pelarda, Rafael S. Sanchez, Eva M. Barea, Iván Mora-Seró, Beatriz Julián-López

    Published in Frontiers in Materials (2020-08-01)
    “…These nanogarnets were further evaluated as functional ceramic phosphors by incorporating them into commercial glazes. The materials exhibited an exceptional chemical stability in a harsh medium such as a fused glaze. …”
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    Archaeometric Characterisation of Decorated Pottery from the Archaeological Site of Villa dei Quintili (Rome, Italy): Preliminary Study by Michela Ricca, Giuseppe Paladini, Natalia Rovella, Silvestro Antonio Ruffolo, Luciana Randazzo, Vincenza Crupi, Barbara Fazio, Domenico Majolino, Valentina Venuti, Giuliana Galli, Mauro Francesco La Russa

    Published in Geosciences (2019-04-01)
    “…The results of such a multidisciplinary approach allowed us to achieve important results crucial to recognise the shards as majolica of the Renaissance period, improving knowledge about manufacturing processes of these renowned painted ceramic artefacts.…”
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    Exploring the Role and Variability of 3d Transition Metal Complexes in Artistic Coloration through a Bottom-Up Scientific Approach by Alexandra Coia, Jackson Ruddick, Olivia Kuang, Li-Qiong Wang

    Published in Colorants (2024-06-01)
    “…Transition metal complexes have historically played a pivotal role in creating vibrant pigments utilized across artistic mediums such as ceramics, paintings, and glass mosaics. Despite their extensive historical use, our understanding of the mechanisms governing transition metal complex behavior has predominantly emerged in recent times, leaving numerous aspects of this process ripe for exploration. …”
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