Search Results - PAINTING MEDIA AND TECHNIQUE : FORM

REALITY THROUGH THE PRISM OF PAINTING: SIMULACRES BY MICHEL HOUELLEBECQ by Olga L. Kalashnikova.

“…The article examines the code of painting and the media codes of other sign systems that are inseparable from it, forming a peculiar picture of the modern information world as a world of simulacra in M. …”
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4D Visualization of Painted Sculpture and Murals by M. Y. Ai, M. Y. Ai, H. Tong, L. Shen, R. X. Wang, R. X. Wang, F. Zhang, Z. C. Zhang, Q. W. Hu, Y. X. Zhu, Y. X. Zhu, H. Zhang

“…Most current techniques just preserve the current appearance and disseminate the current situation of the painted sculpture and murals. …”
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The role of multiple materials to enrich contemporary mural painting by Ayad Abdulkareem Mayea, Howaida Mohammed, Mona Mustafa Aliwa

“…Through the diversity of media and multiple materials and the intersection of genres within an atmosphere characterized by unity, by tracing the beginning of the emergence of the technique of combining more than one material in mural painting During ancient civilizations, and the transformation that occurred in modem manufactured and pre- processed raw materials in contemporary works, the study has four chapters, the first is the general framework of the research problem, the second is theoretical framework about the various techniques and materials in enriching the field of mural painting and how to form them within the work unit, the third deals with some mural works in terms of the multiplicity of materials in them and the extent of the influence of the material in enriching it functionally and aesthetically, fourth results and sources. …”
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Comprehensive material painting feature recognition based on spatial model by Jing Zhao, Aiqin Liu

“…Comprehensive material painting is an art form that uses multiple materials and techniques for creation. …”
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Multi-Spectroscopic Approach for the Non-invasive Characterization of Paintings on Metal Surfaces by Monica Albini, Stefano Ridolfi, Chiara Giuliani, Marianna Pascucci, Maria Paola Staccioli, Cristina Riccucci

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A PAINTING AS A UNIVERSAL MULTIMEDIA LAYER / ЖИВОПИСНОЕ ПРОИЗВЕДЕНИЕ КАК УНИВЕРСАЛЬНЫЙ МУЛЬТИМЕДИЙНЫЙ СЛОЙ by YURGENEVA ALEXANDRA L. / ЮРГЕНЕВА А.Л.

“…A screen indeed, because any image stored on electronic media (in phone memory, computer or camera memory card) can be broadcast on it. …”
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Multimodal computational modeling of EEG and artistic painting for exploring the stress-relief mechanism of urban green spaces by Tang Bei

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The Dynamics of Islamic Calligraphy Teaching and Learning in South Sulawesi by Abd. Aziz Ahmad

“…One type of Islamic calligraphy painting technique can be explained over four steps, 1) making basic pattern in form of infinity line, 2) creating background, 3) adding Islamic calligraphy text, and 4) finishing.…”
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Agar Gel as a Non-Invasive Coupling Medium for Reflectance Photoacoustic (PA) Imaging: Experimental Results on Wall-Painting Mock-Ups by Antonina Chaban, George J. Tserevelakis, Evgenia Klironomou, Giannis Zacharakis, Jana Striova

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From Dissemination to Digitality: How to Reflect on Media by Sybille Krämer

“…Peters’ communication theory rehabilitates communication in the form of non-reciprocal dissemination as a complement to the dominant position of dialogue, which is usually considered the primary form of close communication. …”
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Digital aesthetics in kindergarten: Examples of using digital media in working with children by Čolakov Nevena D.

“…Work in any branch of applied arts is unimaginable without computers: architecture, interior design, graphic design, multimedia design, industrial design, and advertising are just some of the fields that involve two-dimensional and three-dimensional design techniques using computers. In traditional art disciplines such as painting, printmaking, drawing, and sculpture, ICT can be directly or indirectly involved in the process of creating art (Ilić, 2015, p. 272). …”
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Sur les intermédia by Dick Higgins

“…Le défi alors se dédouble : pour l’œuvre, la question ne concerne plus sa forme, mais son discours ; pour l'artiste, l'objectif n'est plus l'exploration de sa technique, mais l'usage politique de son art.III. …”
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Traditional Craft Conservation and Technological Innovation of Xuan Paper: An Exploration Applicable to Chinese Mixed-materials Art by Yinxue Wang

“…The fusion of old and new not only revitalizes this ancient art form but opens new avenues in contemporary art, where Xuan paper is now integrated with diverse materials and techniques. …”
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The technical mediator in contemporary Iraqi formation by Hikmat Saber Hardan, Jawad Abdul-Kadhim Farhan Al-Zaidi

“…  The current research (technical mediator in contemporary Iraqi painting) dealt with the concept of technical mediator in contemporary arts and its role in the qualitative transformation in art, the diversity of discoveries in technical media that artists use in their artistic achievement, and the extent of their impact on contemporary Iraqi painting, where the research problem was identified (what is The nature and role of technical media in showing works in contemporary Iraqi painting) and (What are the intellectual and aesthetic concepts of media and techniques as references for contemporary art in Iraq). …”
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Eksistensi Seni Grafis Monoprint dalam Kesenirupaan Yogyakarta by Bayu Aji Suseno

“…The existence of monoprint practicegrows in line with the development of the contemporary art that responds the inventionof new techniques and media accompanied by the artists’ more pluralistic thinking.Unluckily, the creative process of the monoprint artist is often critically judged andcynically looked at by some people because the work produced by the artist is only oneedition (exclusive), just like painting. …”
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Cameras, Handwork, and Bodily Traces: Overpainted Photomechanical Images of Athletes and their Terrains by Rachel M Ozerkevich

“…This article argues that the artist breaks down barriers between media forms and revisits questions about what kinds of image technology can most holistically provide a window into reality. …”
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Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes by Anna Cesaratto, Marco Leona, Federica Pozzi

“…The present work describes a newly developed sample pretreatment based on the use of nitric acid that has proven crucial for the successful detection of aniline and xanthene dyes–the first synthetic organic colorants to be used in printing and painting, among other art forms–in microscopic samples from works of art such as a 19th-century silk fabric, paper cut-outs by Henri Matisse, Vincent Van Gogh's Irises, and Japanese woodblock prints. …”
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Research on the Influence of Multi-Scene Feature Classification on Ink and Wash Style Transfer Effect of ChipGAN by Nan Liu, Hongjuan Wang, Likun Lu, Yahui Ding, Miaomiao Tian

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Significance of Ramped Temperature in the Dynamics of Unsteady Viscoelastic Fluid Subjected to Lorentz Force by Ilyas Khan

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Street art. Drawing on the walls by Antonella Di Luggo, Ornella Zerlenga

“…This form of mural art soon spread to the main Italian cities in the name of a message of underground cultural protest parallel to the world of institutional art.…”
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