検索結果 - SCRIPTWRITING PROJECT

Cultivating student understanding of context through drama and scriptwriting 著者: Michaud, Matthew, Hooper, Todd

“…This paper presents an English as a foreign language (EFL) drama in language acquisition scriptwriting project that took place at a four-year private university located in Japan. …”
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Aleksander Scibor-Rylski w tandemach: z Kawalerowiczem, Kutzem i Hofmanem 著者: Piotr Śmiałowski

主題: “…unfinished projects…”
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Girls leading the conversation: harnessing the potential of podcasting for informal and project-based learning 著者: Marc T. Sager, Saki Milton, Candace Walkington

“…Abstract This study aimed to explore the implementation of project-based learning (PBL) principles in informal STEM education, focusing on the experiences of Underrepresented Racially Minoritized (UUREM) girls during a week-long residential STEM summer camp. …”
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Development of Game-Based M-Learning Apps for Preschoolers 著者: Dionísia Laranjeiro

“…The project used Design-Based Research (DBR) methodology, which combines scientific research and technological development. …”
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The Role of a School Theater in the Development of Communication of Adolescents: Results of a Longitudinal Study 著者: T.A. Poskakalova, M.R. Husnutdinova

“…The authors present the results of a two-year theater project conducted in 2023 and 2024. This project included training in scriptwriting and acting, the production of various digital and creative products, as well as group discussions and reflection sessions. …”
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Lowe Syndrome and Me: a co-creation video series connecting patients, caregivers, and researchers 著者: Theresa Haugen, Theresa Haugen, Jennifer L. Gallop, Jennifer L. Gallop, Hélène Doerflinger, Hélène Doerflinger

“…Challenges included geographical barriers and limited participant diversity, but the project successfully fostered reciprocal learning and strengthened advocacy networks. …”
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Incorporation of patient and public involvement in statistical methodology research: development of an animation 著者: Hannah M. Worboys, Jonathan Broomfield, Aiden Smith, Rachael Stannard, Freya Tyrer, Elpida Vounzoulaki, Barbara Czyznikowska, Gurpreet Grewal-Santini, Justin Greenwood, Laura J. Gray

“…The aim is to report the process of the development of an accessible animation to describe what statistical methodology is and the importance of PPIE in statistical methodology research projects. For this, we combined storyboarding and scriptwriting with feedback from PPIE members and researchers. …”
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NEW 3D MAPPING TECHNOLOGIES APPLICATION IN UKRAINE 著者: Aliona Dokolova

“…The following research methods were applied: analysis, synthesis, historical and comparative (for highlighting the history of development of 3D mapping in Ukraine and investigating Ukrainian and foreign multimedia projects), and artistic (for studying the features of using 3D mapping). …”
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Dual voices, hybrid identities: the recontextualization of research in digital dissemination scientific discourse 著者: Rosa Lorés

“…The analysis revealed the existence of discoursal and pragmatic, as well as some multimodal, resources (i.e. code glosses, hyperlinking, evidentials, engagements markers) used by the scriptwriters to project a dual voice which aligns both with the expert and with the diversified audience, thus projecting a hybrid authorial identity. …”
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La bande dessinée Congo 50 ou la mémoire collective d’une indépendance difficile 著者: Sandra Federici

“…In the comic book Congo 50, issued in 2010 by Roularta Books and Africalia to celebrate the fiftieth anniversary of the Independence of Congo, eight comic artists of the association BD Kin Label tell the history of the 50 years of independence of their country, under the supervision of the French scriptwriter Alain Brezault and the art direction of Congolese comic author Asimba Bathy. …”
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Au diable le nihilisme ! Lenau, Méphistophélès et le dépassement du “mal du siècle” 著者: Claude Paul

“…But his project turns against himself, reveals the invalidity of his nihilism and contributes to surpass the “Weltschmerz” that bothers Lenau’s generation.…”
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German Quality TV as a Glocal Industry Discourse 著者: Florian Krauß

“…Drawing on the theoretical concept of glocalisation, the analysis is based on 12 expert interviews with 15 producers, scriptwriters, commissioning editors and directors of recent quality TV drama projects from Germany. …”
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« La càmera és un ull que mira. » Josep Palau i Fabre et le cinéma 著者: Sergi Ramos Alquezar

“…However, the Catalan writer has kept a close relationship with the cinema throughout his career, organizing screenings, working as a scriptwriter, conducting a theoretical reflection on the seventh art and in particular by developing a number of projects many of which have never been released. …”
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Investigation on Clinical Oncology Teaching Among Medical Students 著者: ZHANG Zhiyang, ZHAO Lin, SHAO Yajuan, WANG Xiang, LI Ningning, NING Xiaohong, GE Yuping

“…Results  A total of 122 students participated in the survey, in which 89.3%(109/122) of the students showed interest in basic and clinical research projects related to oncology, 84.4%(103/122) thought it was better to use Simulation-based medical education (SBME), and 91.0%(111/122) hoped to learn throughoff-line discussion. …”
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The (Restored) Practice of DEFA Co-productions with the “Normalized” Czechoslovak Film Studio in the 1970s 著者: Pavel Skopal

“…On the German side, DEFA was interested in help from experienced practitioners, especially scriptwriters. On the Czech side, Barrandov´s filmmakers—now isolated from previous contact with western partners and under strict ideological control—strove to shape the DEFA projects they were offered according to their own criteria. …”
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Tom Gunning’s “Cinema of attractions” as the proto-pattern of contemporary interactive cinematography 著者: V. Myslavskyi, Ye. Subota, V. Chaikovska, B. Farafonov

“…The results obtained can be applied in the modernization of curricula for the professional training of multimedia directors, producers and scriptwriters of interactive projects. The materials of the work are of practical value for researchers of the theory and history of cinema, modern screen culture and can be used in the development of teaching aids and lecture courses dedicated to interactive audiovisual arts. …”
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