檢索結果 - SCULPTURAL FORMS AND FUNCTION

Aesthetic references for reductive forms in contemporary Iraqi sculpture 由 Ahmed Jumaa Al Bahadli, Ali Fahim Idan

“... Reduction has been linked visually in art since man began making functional and aesthetic forms, and this beginning can be identified with cave paintings. ...”
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The interrelated Qualities between Sculpture and Archisculpture Design 由 hatem ahmed

“...Engineering constraints can limit the architect from art emotion that motivates of creating unique forms harmonized with spiritual needs. On the contrary, the sculptor completely unhindered by functional limitations and his expression is direct of aesthetical form. ...”
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BLURRING BOUNDARIES: EXPLORING CHROME TANNED LEATHER AS A SCULPTURAL MEDIUM THAT MERGER PLANT FORMS WITH MATERIAL CULTURE 由 Francis Ankyiah, Ernest Okae-Anti

“...This art-based research explored the sculptural potential of using chrome tanned leather to merge plant forms with materials culture. ...”
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FUNCTIONAL RESULTS AFTER VOCAL CORD MEDIALIZATION PROCEDURE WITH SCULPTURED SILICON BLOCK 由 Toran KC, S Shrestha

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From Spark to Sculpture: A Practice-Based Exploration of Betta Fish Form Using Stainless Steel Rods 由 Miky Endro Santoso, Tessa Eka Darmayanti

“... The development of three-dimensional creation techniques using metal materials, particularly stainless steel, provides opportunities for artists and designers to explore unique and aesthetically valuable organic curves, especially in functional objects such as furniture, interior accessories, public sculptures, and metal crafts. ...”
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The Impact of Technological Advancement on Developing the Aesthetic Form of Architectural Facades 由 Ghada Mohamed El Sayed Shata, Emad Ali Hossni, Mayssa Elfar

“...Throughout its history, Mural sculpture has been closely associated with architecture, in terms of historical events or religious functions associated with people's faith and places of worship, such as temples, tombs and palaces in ancient civilizations.Therefore, the murals were not separated from architecture through different civilizations and ages, but the relationship of mural sculpture to architecture took many forms each with its own style in this equation, it was natural to be influenced by each other, so the murals and architecture were always the brightest face of human civilizations in history.Then there was the industrial revolution that led to a radical change in production techniques in terms of replacing manual labor with automated work, and then moving from the operating system in workshops to the production system in factories, and also moving from manual machinery to large machinery.The development of the artistic experience had a close relationship with the development of science and the development of materials and techniques, and sculpture and architecture art is considered one of the most affected by the data of technology and scientific progress because they are linked to many developments of materials, tools and machinery and the direct relationship between materials and formulations. ...”
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Unveiling the Sculpture within the Marble Block: Erasure Poetry as Poetic Sculpturing – How to read Alex Ben-Ari's Mayim Mayim 由 Ido Nitzan

“...Ultimately, Erasure poetry is presented not merely as a subversive poetic act but as a form of poetic sculpturing, revealing the poem hidden within the original text, just as a sculptor carves a figure from the ready-made marble block....”
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The Impact of Geometric Shapes on Modern European Sculpture "An Analytical Study" 由 Naseer Abdul Karim Abboud

“...The problem that deserves research is: Why did the sculptor turn to search for the most effective new geometric sculptural forms, thus dispensing with the human form? ...”
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MUSINGS IN THE GARDEN: SCULPTURE PARK AND THE AHMADU BELLO UNIVERSITY COMMUNITY 由 NADIR A. NASIDI, FAIDA SAMUEL

“...Using an art historical analysis, primary and secondary data in the form of oral interviews, and extant literature, this paper studies the historical development of the Sculpture Garden of Ahmadu Bello University, Zaria focusing mainly on its features, and functions, particularly within the University community.  ...”
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Less sculptural more intellectual: conceptualizing landscape in the architecture of 1990s and 2000s 由 Gülşah Güleç

“...It is revealed in the paper that landscape is a re-emerging concept which refers to the conceptual shift from form and function to flow and force in architecture. ...”
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Design through synthesis: the role of sculpture in the design process of Max Bill 由 Tania Calovi Pereira

“...His approach to design resisted formalism and arbitrary decisions, and went far beyond the visual by producing designs which embraced functionality, creativity and simplicity, and unfolded in a diverse array of forms instead of repetitive formulas. ...”
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Animal-Shaped Masks in Sixteenth-Century Italian Sculpture, Architecture and Armour 由 Caroline van Eck

“...The central question this article seeks to address is therefore: is it possible to develop an approach to these masks, both Italian and North American, that can suggest a common ground, in form, function, impact, or sets of beliefs that drove their creation and use? ...”
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Diplomatic gifts as expression of the colonial trauma. Stories of African wooden and ivory sculptures 由 Horia Iova

“...West and Nichole Bridges offer an overview of the aesthetics and functions of African sculpture as objects of communication, throughout the colonial and post-colonial eras. ...”
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L’apport de la sculpture à la compréhension des fonctions liturgiques 由 Pascale Chevalier

“...Rich in information for the researcher, the loquacious pieces of furniture bore symbolic visual messages. The forms of the vestiges and the traces of their layout mapped out functional guidelines or dividing lines. ...”
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See the world from a plant’s perspective: on creating an interactive multimedia sculpture implying plant optics 由 Alexandra Burnusuz, Mariia Moshchenskaia, Veronika Prizova, Mikhail Shalepo, Maxim Rider, Viktor Zakharov, Ippolit Markelov, Mikhail Petrov, Dmitrii Kadyrov

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Georgia Russell’s Scalpelled Books as Visual Metaphors 由 Anne Béchard-Léauté

“...Using just the evocative function of a term with universal connotations, a form of imagination develops based on the interaction between art and language. ...”
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Les ivoires gothiques : foisonnement et renouveau des études 由 Michele Tomasi

“...More importantly, these scholarly works apply new strategies, and demonstrate increased attention to forms of production, iconographic choice, function, as well as to the history of collecting and research....”
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Un lugar repleto de dioses. Nota preliminar sobre el programa escultórico de la Subestructura II C de Calakmul, Campeche, México 由 Daniel Salazar Lama

“...The project “Art that creates places” aims to study the impact of images in the Mayan built environment and the ability of these images to inscribe or materialize a meaning in space by splicing with the connotations and the functional utilities of architectural forms and other environmental elements. ...”
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Les sarcophages romains : problèmes et certitudes 由 François Baratte

“...A smaller body of research has examined the practical organization of work and labor within the workshops, although our knowledge in this area remains incomplete.On the other hand, research into the organization and function of the decorative sculpture, and the clientele for whom the sarcophagi were made, has resulted in a more precise understanding of the sociological context of their production, up to the end of the Roman Empire, and the advent of the first Christian sarcophagi.Iconographical studies of the subject-matter of sarcophagus reliefs, together with interpretative assessments of their function as expressions of the deceased s self-image (to the living), and of his or her conception of death and the afterlife, have accounted for a relatively small body of work in recent years. ...”
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Reflecting Picasso in Glass 由 Sandrine Welte

“...Unlike ceramics or bronze, the realisation of blown glass sculpture hinges on the involvement of the maestro vetraio as the mediator between thought and form—thus resulting in a distancing between artwork and artist conditioned by the nature of the medium. ...”
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