Search Results - THEATRE PRODUCTION MANAGEMENT

Od zespołu do przedsiębiorstwa teatralnego: Oficjalne sceny Paryża XVIII wieku – rozwój i kontrola by Piotr Olkusz

Subjects: “…theatre production…”
Get full text

FINANCING THE THEATRE: THE ROLE OF MANAGEMENT AND THE STATE by Ivana Bestvina Bukvić, Marija Mihaljević, Ivana Tokić

“…A survey was conducted in 2015, which found that public theatres are predominantly funded by budgetary resources (62.14%), while the most important part of the revenue and income section of private theatres originates from selling their own products and services (43.99%). …”
Get full text

O teatrze bulwarowym: Szkic by Dobrochna Ratajczakowa

Subjects: “…theatrical production and management…”
Get full text

Imperium teatralne Maxa Reinhardta by Małgorzata Leyko

Subjects: “…theatrical production and management…”
Get full text

Types of the modern opera house management. The producer-type repertory theater (on the example of Ural Opera Ballet) by Andrey G. Shishkin

“…The hierarchical management model is recognized as the most stable in comparison to the project theater model. …”
Get full text

Behind the Curtain: The Intersection of Technical Expertise and Creative Vision in Theatre by Bryony Byrne, Déborah Prudhon

“…Interview with Bryony Byrne about her work as a theatre-maker, comedian, and production and stage manager.…”
Get full text

New horizons of theatre: Digital practices and their significance for contemporary theatre arts by Lyudmila P. Maryina, Elizaveta S. Kochergina

Get full text

Applied Theatre as a Co‐Creative Methodology for More Convivial Knowledge Production in Refugee‐Receiving Communities by Marieke van Houte, Maria Charlotte Rast

“…This article explores, based on hands‐on experience, how applied theatre may serve as a co‐creative mutually and actively negotiated—convivial—method of knowledge production in refugee‐receiving societies. …”
Get full text

Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź—Textual Authority, the “Director's Cut”, and Theatre Status by Magdalena Cieślak

“…This paper analyzes Wiśniewski’s Richard III to show how the director manages to achieve balance between his own auteur power, the authority and complexity of Shakespeare’s text, and theatre’s cultural mission.…”
Get full text

Historical development overview of organizational-management model in Serbian theatre from the middle of XIX to the beginning of XXI century by Raduški Dragoljub

Get full text

«Dziś rano dostałam Twój kochany list, a już wieczorem odpisuję»: Felicja Trapszo-Krywultówna do Leonii Jabłonkówny 1930–1936 by Grażyna Chmielewska

Subjects: “…theatrical production and management…”
Get full text

Kaarel Irdi repertuaaripoliitilised vaated Vanemuise teatri juhina. Kaarel Ird’s Repertoire Policy as Manager of the Vanemuine Theatre by Jaak Viller

“…In the 1970s, Ird made corrections in this area by giving the young staff at the theatre free hands in the choice of texts to be staged, and protected their access to the stage before the control organs supervising stage productions (the ESSR Ministry of Culture and the censorship officials). …”
Get full text

Year 1948: Emancipation of Women and Slovak Theatre. by Lindovská Nadežda

“…The remarkable phenomenon of this era, which was related to the post-war political and social movement, was the phenomenon of female emancipation and feminization of the stage production. During the two consecutive theatre seasons 1947/1948 and 1948/1949, at The New Scene Theatre of the National Theatre in Bratislava, several women, led by the director Magda Husaková-Lokvencová created several productions. …”
Get full text

The podiatric surgery theatre environment in the UK; is it conducive to learning? A quantitative study using the surgical theatre educational environment measure (STEEM) by Thomas Austen, Simon Otter

“…Abstract Background In 2015 the Health and Care Professions Council (HCPC) reported that annotation of the register for podiatric surgery would improve the way in which risks are currently managed. The academic institutions provide the teaching environment for the ‘learnt’ Diploma in principles of podiatric surgery however the podiatric surgery departments facilitate the production of the next generation of podiatric surgeons. …”
Get full text

Curtain call for AI: Transforming theatre through technology by Dóra Horváth

“…The findings of the study indicate that the adoption of AI-based solutions in operational and support areas is predominantly a bottom-up initiative, primarily in marketing, audience management and sales. In contrast, experimentation with AI is more prevalent in independent theatres and contemporary productions within the artistic domain. …”
Get full text

The practice of promoting the theatre through a small-scale performance by Mariya V. Kosheleva

Get full text

Between Science and Supernaturalism: Mimesis and the Uncanny in Nineteenth-Century Theatre and Culture by Jane Goodall

Get full text

Searching the Renewal of the Theatrical Language in the Modern Tatar Theatre: Scenographic Aspect by Rauza R. Sultanova

“…Due to the active appeal to the achievements of modern culture and other arts, a kind of renewal of the theatre is taking place. Despite preservation of stable forms and elements of the Tatar culture, the traditions of the “interior theater”, generalized metaphorical motifs prevail in the productions that transfer the place of action to the present. …”
Get full text

Contemporary documentary dance: Case of the play “Freedom for the statue!” by the Provincial Dances theatre by Konstantin V. Kiselev

Get full text

Who Owns a Gesture? Negotiating Creation and Collaboration in Theatre Arts Practice by Eero Laine, David Allen

“…While there are many ways of making theatre—from more conventional interpretations of an existing play script to devised theatre practices, in which the script is collaboratively developed by all participants—all theatre relies on creative participants working together through shared processes to produce a production. …”
Get full text