Search Results - THEATRE TECHNICAL AND LIGHTING DESIGN

The Technical Mediator in Arab Theater: Their Tools and Skills by Soualah wahiba

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"An applied study for interior design and furniture students in the play City of the Dead" by Dr/Mohammed Abdel Mohsen Abdel Khaliq Abdel Tawas

SPATIAL-TECHNICAL SUPPORT OF THE UKRAINIAN THEATER IN THE MIDDLE AGES by Kateryna Yudova-Romanova

“…The purpose of the research is to find out the peculiarities of the stage design of the Ukrainian theatre and its spatial and technical support in the Middle Ages. …”
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INT Issue 13: Technics, Memory and the Architecture of History CFP by Stephen Loo, Andrew Douglas

“…Technics, Memory and the Architecture of History December 17, 2011 In the light of massive catastrophes – the earthquakes near Sendai and Christchurch, the tsunamis of Acheh and Katrina’s devastation of New Orleans – the question of urban and architectural reconstruction invokes the question of remembering. …”
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Between construction and drawing: the Archive of the Barbieri Company of Castel Maggiore (BO) and the evolution of architectural technique by Vincenzo Petrillo

“…These projects, pertaining to both design and restoration, highlight the eclecticism of the workshop and its central role throughout its operational history, allowing us to reconstruct not only the technical solutions adopted but also the cultural and operational contexts in which they developed. …”
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Design objectives of the mask in children's theater performances by Baraa Shakib Akram Al-Salihi

“…Visual in children's theater performances) and in light of that, the tagged research (the illusionary mask and visual formation in children's theater performances) was divided into four chapters The first chapter: The methodological framework includes the research problem centered around the following question: -(Identifying the design goals in the theatrical mask in children theatre performances) for the second chapter ,it included two sections And the result were: 1-The font appeared in the evil characters transformed and formed by Ihamya and invited by the desiger imagination ,which achieved an effect in simulating the child ,and this is whate appeared in the sample (Gilgaesh who saw) so we find the font in the characters (the narrator- Enkidu- umm Gilgamesh) 2-The designers of theatrical performances relied on greating the general atmosphere through visual formation and employing it in a technical way to enrich the design effect with the movement of the actor ,including masks and accessories, in the image achieved by illution and its effectiveness and bringing the image of figure closer to the recipient and placing it within the anticipatoy act of the theatrical game. …”
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Heteronomy of architecture. Between hybridation and contamination of knowledge by Ingrid Paoletti, Maria Pilar Vettori

“…Hence the importance of the dialogue with disciplines that identify with the polytechnic mould – that is, one which has always been deeply attentive to the relationship between theory and practice, to the design of architecture as an action that is at once intellectual and technical. …”
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