The Actor’s Second Nature – Stanislavski and William James

This article considers the origins of Stanislavski’s system and his insistence that the actor’s skills, like the musician’s, must be honed through daily exercises. Such practice must become the actor’s second nature, as Stanislavski terms it. It also compares what Stanislavski has to say about the...

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Bibliographic Details
Published in:Revista Brasileira de Estudos da Presença
Main Author: Rose Whyman (University of Birmingham – Birmingham, Reino Unido)
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2014-03-01
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/43410