Phenomenological Juxtaposition in the Experimental Cinema of Stan Brakhage and Manuela de Laborde

This article examines the physical and bodily aspects of superimposition in The Wonder Ring (Stan Brakhage, 1955) and As Without So Within (Manuela de Laborde, 2016). Creating a dialogue between Gene Youngblood’s concept of synesthetic cinema and Karen Barad’s idea of agential realism, I suggest doi...

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Bibliographic Details

Published in:	Film-Philosophy
Main Author:	Ahmet Emin Bülbül
Format:	Article
Language:	English
Published:	Edinburgh University Press 2025-10-01
Subjects:	More-than-human agential realism synesthetic cinema intra-action juxtaposition entanglement
Online Access:	https://www.euppublishing.com/doi/10.3366/film.2025.0328