Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti: the reevaluated concept of micropolyphony
From Lacrimosa (Requiem) Ligeti modifies his language as he gradually leaves the cluster's harmony. He starts inserting holes in the texture and using a smaller number of instruments. This attitude implies a reassessment of the micropolyphony technique (used in his previous sound mass works) an...
| Published in: | Per Musi |
|---|---|
| Main Author: | |
| Format: | Article |
| Language: | English |
| Published: |
Escola de Música da UFMG
2022-09-01
|
| Subjects: | |
| Online Access: | https://periodicos.ufmg.br/index.php/permusi/article/view/37400 |