Agnaldo Manoel dos Santos ou la subversion de la modernité consentie

This article aims to present and discuss how critics, curators, and artists built an enduring narrative about the life and work of Bahian sculptor Agnaldo Manoel dos Santos (1926-1962). This narrative served to limit our understanding of the artist to an unconscious and atavistic link with the Afric...

詳細記述

書誌詳細

出版年:	Brésil(s)
第一著者:	Juliana Ribeiro da Silva Bevilacqua
フォーマット:	論文
言語:	フランス語
出版事項:	Maison des Science de l'Homme 2021-05-01
主題:	Agnaldo Manoel dos Santos consented modernity sculptor Africa afro-brazilian art Brazil
オンライン･アクセス:	http://journals.openedition.org/bresils/9234