Digital Estetikk hos Max Bense og Inger Christensen

Digital Aesthetics in Max Bense and Inger Christensen This article examines the concept of digital poetry by the German philosopher and cybernetician Max Bense, and operationalizes it in a reading of the Danish novel Azorno (1967) by Inger Christensen. It suggests that Bense’s concept of digital...

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Bibliographic Details
Published in:Tidskrift för Litteraturvetenskap
Main Author: Ragnild Lome
Format: Article
Language:Danish
Published: Föreningen för utgivande av Tidskrift för litteraturvetenskap 2017-01-01
Subjects:
Online Access:https://publicera.kb.se/tfl/article/view/7855