Everything is Illuminated. Zur Numerischen Analyse von Farbigkeit in Filmen

The article analyses the composition of colour in the mise-en-scène of the zombie-movies REC, 28 Days Later and World War Z via a computer based approach. It first evaluates some of the methodological pro...

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Bibliographic Details

Published in:	Zeitschrift für digitale Geisteswissenschaften
Main Authors:	Johannes Pause, Niels-Oliver Walkowski
Format:	Article
Language:	German
Published:	Forschungsverbund Marbach Weimar Wolfenbüttel / Verband Digital Humanities im deutschsprachigen Raum e.V. 2018-09-01
Subjects:	filmwissenschaft farbmetrik zombie
Online Access:	http://www.zfdg.de/node/254