Lenteur et vision : l’empreinte du western dans le roman français contemporain

Beyond the rebound effect, where the movie enters into the literature by transposition of scriptural and composition techniques, we are now witnessing a true integration of cinema stylèmes and topoï in the novel. By a deep analysis of Patrick Chatelier’s Pas le bon pas le truand, we question this as...

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Bibliographic Details

Published in:	Cahiers de Narratologie
Main Author:	Elisa Bricco
Format:	Article
Language:	French
Published:	Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2012-12-01
Subjects:	roman Patrick Chatelier cinématière western écriture cinématographique ocularisation
Online Access:	https://journals.openedition.org/narratologie/6587